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【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Mnemosyne The Parallel Between Literature and the Visual Arts【電子書籍】[ Mario Praz ]

＜p＞＜strong＞The classic study of the timeless relationship between literature and the visual arts＜/strong＞＜/p＞ ＜p＞In his search for a common link between literature and the visual arts, Mario Praz draws on the abundant evidence of mutual understanding and correspondence they have long shared. Praz explains that within literature, each epoch has “its peculiar handwriting or handwritings, which, if one could interpret them, would reveal a character, even a physical appearance,” and while these characteristics belong to the general style of a given period, the personality of the writer does not fail to pierce through. Praz contends that something similar occurs in art. He shows how the likeness between the arts within various periods of history can ultimately be traced to structural similarities that arise out of the characteristic way in which the people of a certain epoch see and memorize facts aesthetically. Mnemosyne, at once the goddess of memory and the mother of the muses, presides over this view of the arts. In illustrating her influence, Praz ranges widely through Western sources, providing an incomparable tour of the literary and pictorial arts.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Un groviglio di sentieri Vita di Aby Warburg【電子書籍】[ Hans C. H?nes ]

＜p＞≪Ebreo di sangue, amburghese di cuore, d’anima fiorentino≫: cos? amava definirsi Aby Warburg (1866-1929), con una formula che rende bene l’ossessiva ricerca di s?, coltivata attraverso l’autonarrazione, e gli importanti cambi di rotta che hanno segnato il suo percorso. Se oggi ? riconosciuto come uno dei pi? influenti storici dell’arte e della cultura del XX secolo, lo ? a dispetto di una salute mentale precaria e di una vita da “fuorilegge”, convinto che il vero acume appartenga solo a chi ? pronto a deviare dalle aspettative ordinarie della societ?. Dopo aver rinunciato al ruolo di primogenito nella famiglia di banchieri pi? facoltosa della Germania e aver rinnegato l’ortodossia ebraica, Aby insegue le proprie intuizioni e intraprende un vagabondaggio nel mondo dei simboli che lo porta dal selvaggio West fino nel cuore del Rinascimento, a Firenze. Studioso indipendente, libero pensatore, insofferente verso la struttura compartimentale dell’universit? ma in dialogo con gli intellettuali pi? evoluti del suo tempo, Warburg inaugura una metodologia olistica, che integra l’indagine storico-artistica con scienze quali l’antropologia, la medicina e la psicologia. Questo approccio interdisciplinare guida le sue ricerche sulla sopravvivenza dell’antico ? condensate nella sua celebre opera incompiuta Atlante Mnemosyne ? e la creazione della sua straordinaria biblioteca, oggi conservata presso il Warburg Institute di Londra, prezioso punto di riferimento per gli accademici di tutto il mondo. Hans C. H?nes restituisce un ritratto dettagliato e intimo di un uomo che, nonostante le innumerevoli difficolt? umane e professionali, ha saputo anticipare i tempi gettando le basi della contemporanea storia dell’arte.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Atlas, or the Anxious Gay Science【電子書籍】[ Georges Didi-Huberman ]

＜p＞Aby Warburg’s ＜em＞Mnemosyne Atlas＜/em＞ (1925?1929) is a prescient work of mixed media assemblage, made up of hundreds of images culled from antiquity to the Renaissance and arranged into startling juxtapositions. Warburg’s allusive atlas sought to illuminate the pains of his final years, after he had suffered a breakdown and been institutionalized. It continues to influence contemporary artists today, including Gerhard Richter and Mark Dion.＜/p＞ ＜p＞In this illustrated exploration of Warburg and his great work, Georges Didi-Huberman leaps from ＜em＞Mnemosyne Atlas＜/em＞ into a set of musings on the relation between suffering and knowledge in Western thought, and on the creative results of associative thinking. Deploying writing that delights in dramatic jump cuts reminiscent of Warburg’s idiosyncratic juxtapositions, and drawing on a set of sources that ranges from ancient Babylon to Walter Benjamin, ＜em＞Atlas, or the Anxious Gay Science＜/em＞ is rich in Didi-Huberman’s trademark combination of elan and insight.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Encounters in the Virtual Feminist Museum Time, Space and the Archive【電子書籍】[ Griselda Pollock ]

＜p＞Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world renowned art historian and cultural analyst, Griselda Pollock proposes a series of new encounters through virtual exhibitions with art made by women over the twentieth century. Challenging the dominant museum models of art and history that have been so exclusive of women's artistic contributions to the twentieth century, the virtual feminist museum stages some of the complex relations between femininity, modernity and representation.＜/p＞ ＜p＞Griselda Pollock draws on the models of both Aby Warburg's ＜em＞Mnemosyne Atlas＜/em＞ and Freud's private museum of antiquities as well as Ettinger's concept of subjectivity as encounter to propose a differencing journey through time, space and archive. Featuring studies of Canova 's ＜em＞Three Graces＜/em＞ and women artist's modernist reclamations of the female body, the book traverses the rupture of fascism and the Holocaust and ponders the significance of painting and drawing in their aftermath.＜/p＞ ＜p＞Artists featured include: Georgia O'Keeffe, Josephine Baker, Gluck, Charlotte Salomon, Bracha Ettinger and Christine Taylor Patten.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】The Poetics of Performance Diagrams【電子書籍】[ Andrej Mir?ev ]

＜p＞This Element considers the concept of performance diagrams and shows their historical, epistemic and aesthetic functions in theatre and dance. In three sections, the author surveys the architectural model of theatre by Vitruvius, the woodcut of Marlow's Doctor Faustus, Aby Warburg's Mnemosyne-Atlas, the spells and drawings of Antonin Artaud, the performance Paradise Now (the Living Theatre) and the choreography I am 1984 (Barbara Matijevi?). Demonstrating that diagrams can be applied to multiply dramaturgical trajectories, the text reviews their relevance for performance-making, analysis and documentation. The author argues that diagrams provide new tools for theory, practice and archiving, while at the same time enabling reflection on the intersections between poetics and politics. Focusing on the potentiality of diagrams to cut through representation and dichotomies, this Element affirms the visual, corporeal and spatial dimensions of performance-making. In doing so, it elucidates the significance of diagrammatic thinking for performance studies.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Memory, Metaphor, and Aby Warburg's Atlas of Images【電子書籍】[ Christopher D. Johnson ]

＜p＞＜strong＞The work of German cultural theorist and art historian Aby Warburg (1866?1929) has had a lasting effect on how we think about images.＜/strong＞ This book is the first in English to focus on his last project, the encyclopedic Atlas of Images: Mnemosyne. Begun in earnest in 1927, and left unfinished at the time of Warburg's death in 1929, the Atlas consisted of sixty-three large wooden panels covered with black cloth. On these panels Warburg carefully, intuitively arranged some thousand black-and-white photographs of classical and Renaissance art objects, as well as of astrological and astronomical images ranging from ancient Babylon to Weimar Germany. Here and there, he also included maps, manuscript pages, and contemporary images taken from newspapers. Trying through these constellations of images to make visible the many polarities that fueled antiquity's afterlife, Warburg envisioned the Atlas as a vital form of metaphoric thought.＜/p＞ ＜p＞While the nondiscursive, frequently digressive character of the Atlas complicates any linear narrative of its themes and contents, Christopher D. Johnson traces several thematic sequences in the panels. By drawing on Warburg's published and unpublished writings and by attending to Warburg's cardinal idea that "pathos formulas" structure the West's cultural memory, Johnson maps numerous tensions between word and image in the Atlas. In addition to examining the work itself, he considers the literary, philosophical, and intellectual-historical implications of the Atlas. As Johnson demonstrates, the Atlas is not simply the culmination of Warburg's lifelong study of Renaissance culture but the ultimate expression of his now literal, now metaphoric search for syncretic solutions to the urgent problems posed by the history of art and culture.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Die Entwicklung der Figur der Musen seit der Antike【電子書籍】[ Anne-Barbara Knerr ]

＜p＞Studienarbeit aus dem Jahr 2001 im Fachbereich Kunst - Sonstiges, Note: sehr gut, Universit?t Koblenz-Landau (Institut f?r Kunstwissenschaft und bildende Kunst), Veranstaltung: Mythologie, 14 Quellen im Literaturverzeichnis, Sprache: Deutsch, Abstract: Die Musen sind die neun T?chter des Zeus und der Titanin Mnemosyne, der G?ttin des Ged?chtnisses (Memory!).Sie sind G?ttinen der Dichtung, Literatur, Musik, Tanz, Astronomie, Philosophie und allem Streben des Geistes. Angef?hrt werden sie von ihrem Halbbruder Apoll, der in dieser Funktion auch Apollon Musagetes genannt wird. Ihre Namen, Funktionen, Attribute und sogar die Anzahl variierten im Lauf der Zeit. Homer spricht schon von neun Musen, Hesiod gibt ihnen schlie?lich Namen. Ihre sehr uneinheitliche Individualisierung wurde erst in sp?thellenistischer Zeit Vorgenommen: [...]＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Art History as Cultural History Warburg's Projects【電子書籍】[ Richard Woodfield ]

＜p＞This book focuses on Aby Warburg (1866-1929), one of the legendary figures of twentieth century cultural history. His collection, which is now housed in the Warburg Institute of the University of London bears witness to his idiosyncratic approach to a psychology of symbolism, and explores the ＜em＞Nachleben＜/em＞ of classical antiquity in its manifold cultural legacy. This collection of essays offers the first translation of one of Warburg's key essays, the Gombrich lecture, described by Carlo Ginzburg as 'the richest and most penetrating interpretation of Warburg' and original essays on Warburg's astrology, his ＜em＞Mnemosyne＜/em＞ project and his favourite topic of festivals. Richard Woodfield is Research Professor in the Faculty of Art and Design at the Nottingham Trent University, England. He has edited E.H Gombrich's ＜em＞Reflections on the History of Art＜/em＞ (1987), ＜em＞Gombrich on Art and Psychology＜/em＞ (1996), ＜em＞The Essential Gombrich＜/em＞ (1996), and a volume on Riegl in the ＜em＞Critical Voices in Art, Theory and Culture＜/em＞ series. He is also the General Editor of a new series of books for G+B Arts International, ＜em＞Aesthetics and the Arts＜/em＞. Edited by Richard Woodfield, Research Professor in the Faculty of Art and Design at Nottingham Trent University, UK.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】The Language of Images The Forms and the Forces【電子書籍】[ Maria Giulia Dondero ]

＜p＞This book deals with two fundamental issues in the semiotics of the image. The first is the relationship between image and observer: how does one look at an image? To answer this question, this book sets out to transpose the theory of enunciation formulated in linguistics over to the visual field. It also aims to clarify the gains made in contemporary visual semiotics relative to the semiology of Roland Barthes and Emile Benveniste.＜/p＞ ＜p＞The second issue addressed is the relation between the forces, forms and materiality of the images. How do different physical mediums (pictorial, photographic and digital) influence visual forms? How does materiality affect the generativity of forms? On the forces within the images, the book addresses the philosophical thought of Gilles Deleuze and Ren? Thom as well as the experiment of Aby Warburg’s Atlas Mnemosyne.＜/p＞ ＜p＞The theories discussed in the book are tested on a variety of corporafor analysis, including both paintings and photographs, taken from traditional as well as contemporary sources in a variety of social sectors (arts and sciences).＜/p＞ ＜p＞Finally, semiotic methodology is contrasted with the computational analysis of large collections of images (Big Data), such as the “Media Visualization” analyses proposed by Lev Manovich and Cultural Analytics in the field of Computer Science to evaluate the impact of automatic analysis of visual forms on Digital Art History and more generally on the image sciences.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Acts of Speech【電子書籍】[ Kaye Boesme ]

＜p＞＜em＞Acts of Speech＜/em＞ explores performative, public, and private religious speech and how they construct identity and difference. It blends praise poetry primarily in honor of various Hellenic Gods, including Apollon, the Mousai, Hermes, and Mnemosyne, with more private poems in a tense dance of parasociality and intimacy. Above all, it is a time capsule of experiences frozen in syllable, verse, and image.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Alle Fonti del Canto【電子書籍】[ Fernando D'Amico ]

＜p＞Alle Fonti del Canto ? una silloge elettiva di poesie, tratte da Acquaviva - Mnemosyne e Lethe, dove la voce segreta della passione, dell'amore e del sentimento ne intesse l'intima trama che si snoda attraverso gli otto cicli di cui si compone l'opera madre del poeta Salentino. L'edizione in formato digitale, promossa dal Salotto Letterario "Artemisia Gentileschi", ? stata curata da Simona Rivoli, in collaborazione con Alberto Sestrieri e Cinzia Alvani.＜br /＞ La selezione dei testi ? stata previamente approvata dall'Autore.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。