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【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】100 Shakespeare Films【電子書籍】[ Dr Daniel Rosenthal ]

＜p＞From Oscar-winning British classics to Hollywood musicals and Westerns, from Soviet epics to Bollywood thrillers, Shakespeare has inspired an almost infinite variety of films. Directors as diverse as Orson Welles, Akira Kurosawa, Franco Zeffirelli, Kenneth Branagh, Baz Luhrmann and Julie Taymor have transferred Shakespeare's plays from stage to screen with unforgettable results. Spanning a century of cinema, from a silent short of 'The Tempest' (1907) to Kenneth Branagh's 'As You Like It' (2006), Daniel Rosenthal's up-to-date selection takes in the most important, inventive and unusual Shakespeare films ever made. Half are British and American productions that retain Shakespeare's language, including key works such as Olivier's 'Henry V' and 'Hamlet', Welles' 'Othello' and 'Chimes at Midnight', Branagh's 'Henry V' and 'Hamlet', Luhrmann's 'Romeo + Juliet' and Taymor's 'Titus'. Alongside these original-text films are more than 30 genre adaptations: titles that aim for a wider audience by using modernized dialogue and settings and customizing Shakespeare's plots and characters, transforming 'Macbeth' into a pistol-packing gangster ('Joe Macbeth' and 'Maqbool') or reimagining 'Othello' as a jazz musician ('All Night Long'). There are Shakesepeare-based Westerns ('Broken Lance', 'King of Texas'), musicals ('West Side Story', 'Kiss Me Kate'), high-school comedies ('10 Things I Hate About You', 'She's the Man'), even a sci-fi adventure ('Forbidden Planet'). There are also films dominated by the performance of a Shakespearean play ('In the Bleak Midwinter', 'Shakespeare in Love'). Rosenthal emphasises the global nature of Shakespearean cinema, with entries on more than 20 foreign-language titles, including Kurosawa's 'Throne of Blood and Ran', Grigori Kozintsev's 'Russian Hamlet' and 'King Lear', and little-known features from as far afield as 'Madagascar' and 'Venezuela', some never released in Britain or the US. He considers the films' production and box-office history and examines the film-makers' key interpretive decisions in comparison to their Shakespearean sources, focusing on cinematography, landscape, music, performance, production design, textual alterations and omissions. As cinema plays an increasingly important role in the study of Shakespeare at schools and universities, this is a wide-ranging, entertaining and accessible guide for Shakespeare teachers, students and enthusiasts.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Akira Kurosawa A Viewer's Guide【電子書籍】[ Eric San Juan ]

＜p＞The career of acclaimed filmmaker Akira Kurosawa spanned more than five decades, during which he directed more than thirty movies, many of them indisputable classics: Rashomon, Ikiru, Seven Samurai, The Hidden Fortress, Throne of Blood, and Yojimbo, among others. During the height of his creative output, Kurosawa became one of the most influential and well-known directors in the world, inspiring filmmakers like Steven Spielberg and George Lucas and movies such as The Magnificent Seven; The Good, the Bad, and the Ugly; and Star Wars.＜/p＞ ＜p＞In Akira Kurosawa: A Viewer’s Guide, Eric San Juan provides a comprehensive yet accessible examination of the artist’s entire cinematic endeavors. From early films of the 1940s such as Sanshiro Sugata and No Regrets for Our Youth to Oscar winner Dersu Uzalaーthe author helps readers understand what makes Kurosawa’s work so powerful. Each discussion includes a brief synopsis of the film, an engaging analysis, and thoughtful insights into the film’s significance.＜/p＞ ＜p＞All of Kurosawa’s works, from 1943 to 1993, are analyzed here, including the overlooked television documentary Song of the Horse, produced in 1970. In addition to more than twenty photos, Akira Kurosawa: A Viewer’s Guide provides rich discussions that will appeal to students of cinema as well as anyone who wants to learn more about Japan’s greatest director.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Media Theory in Japan【電子書籍】

＜p＞Providing an overview of Japanese media theory from the 1910s to the present, this volume introduces English-language readers to Japan's rich body of theoretical and conceptual work on media for the first time. The essays address a wide range of topics, including the work of foundational Japanese thinkers; Japanese theories of mediation and the philosophy of media; the connections between early Japanese television and consumer culture; and architecture's intersection with communications theory. Tracing the theoretical frameworks and paradigms that stem from Japan's media ecology, the contributors decenter Eurocentric media theory and demonstrate the value of the Japanese context to reassessing the parameters and definition of media theory itself. Taken together, these interdisciplinary essays expand media theory to encompass philosophy, feminist critique, literary theory, marketing discourse, and art; provide a counterbalance to the persisting universalist impulse of media studies; and emphasize the need to consider media theory situationally.＜/p＞ ＜p＞Contributors. Yuriko Furuhata, Aaron Gerow, Mark Hansen, Marilyn Ivy, Takeshi Kadobayashi, Keisuke Kitano, Akihiro Kitada, Thomas Looser, Anne McKnight, Ryoko Misono, Akira Mizuta Lippit, Miryam Sas, Fabian Sch?fer, Marc Steinberg, Tomiko Yoda, Alexander Zahlten＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】New Expressions in Origami Art Masterworks from 25 Leading Paper Artists【電子書籍】[ Meher McArthur ]

＜p＞＜strong＞This origami art book features the work of 25 contemporary master folders who are among the most innovative origami artists working today.＜/strong＞＜/p＞ ＜p＞They are pushing the boundaries of origami vigorously in new directions in terms of style, scale, materials, subject and scope. This elite group includes:＜/p＞ ＜ul＞ ＜li＞Joel Cooper＜/li＞ ＜li＞Erik Demaine and Martin Demaine＜/li＞ ＜li＞Paul Jackson＜/li＞ ＜li＞Beth Johnson＜/li＞ ＜li＞Michael G. LaFosse and Richard L. Alexander＜/li＞ ＜li＞Robert J. Lang＜/li＞ ＜li＞Linda Mihara＜/li＞ ＜li＞Bernie Peyton＜/li＞ ＜li＞Richard Sweeney＜/li＞ ＜li＞And many more…＜/li＞ ＜/ul＞ ＜p＞The stunning photos and brilliant essays in this book demonstrate why origami is now an international art movementーlargely through the efforts and artistic genius of a few contemporary masters. The trailblazing efforts of Japanese artist Akira Yoshizawa elevated the paper folding to an art form by showing how subtle shapes and figures could be created from a single sheet of paper though a variety of non-traditional folding techniques.＜/p＞ ＜p＞Artists in other parts of the worldーincluding the United States, France, England, China and Scandinaviaーtook Yoshizawa's cue and pushed these techniques further and further. The result has been the emergence of many new and surprising sculptural forms created through techniques such as wet folding, curved creasing, tessellating and the application of alternative materials besides paper.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Aspiring to Home South Asians in America【電子書籍】[ Bakirathi Mani ]

＜p＞What does it mean to belong? How are twenty-first-century diasporic subjects fashioning identities and communities that bind them together? ＜em＞Aspiring to Home＜/em＞ examines these questions with a focus on immigrants from India, Pakistan, and Bangladesh. Advancing a theory of locality to explain the means through which immigrants of varying regional, religious, and linguistic backgrounds experience what it means to belong, Bakirathi Mani shows how ethnicity is produced through the relationship between domestic racial formations and global movements of class and capital.＜/p＞ ＜p＞＜em＞Aspiring to Home＜/em＞ focuses on popular cultural works created by first- and second-generation South Asians from 1999?2009, including those by author Jhumpa Lahiri and filmmaker Mira Nair, as well as public events such as the Miss India U.S.A. pageant and the Broadway musical ＜em＞Bombay Dreams＜/em＞. Analyzing these diverse productions through an interdisciplinary framework, Mani weaves literary readings with ethnography to unravel the constraints of form and genre that shape how we read diasporic popular culture.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Intrappolata nelle sue parole【電子書籍】[ Carac? Chiara ]

＜p＞In un periodo attraversato da affettivit? labili, gli adolescenti e i giovani hanno bisogno di essere educati sentimentalmente affinch? siano in grado di riconoscere un amore non sano che spesso porta logoramento interiore. La storia raccontata fa riflettere sulla fragilit? e forza degli esseri umani. Lo sfogo dell’esperienza travolgente che mette in discussione le scelte e il benessere di Akira, si racchiude nello studio di uno psicoterapeuta nel momento in cui lei diventa consapevole di essere intrappolata nelle parole dell’uomo che ama. Avere il coraggio di reagire ? il primo passo verso la rinascita.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】I Hate Practice A Rhapsody On Rehearsals, Relationships and Rachmaninov【電子書籍】[ Akira Nakano ]

＜p＞Classical musicians are just musicians. Buttoned up and tuxedo clad on stage, behind the scenes, their lives can be as insane as rock stars'. I HATE PRACTICE - A RHAPSODY ON REHEARSALS, RELATIONSHIPS AND RACHMANINOV BY A CLASSICAL PIANIST was originally intended to a one man show. Except when I told my sister the plan, she immediately said, "But you're not funny." I completed a draft, excited to go into production, and then my director gave me notes. She was hoping to see more of a “play” with a stronger thematic through line. She wanted me to go deeper into the struggles of practicing and quitting the piano; and somehow, over the course of ninety minutes, find redemption. I had viewed the show as the opportunity to play some songs, get some cheap laughs and include a couple of way-too-politically-correct behind-the-scenes stories of concert prep. She wanted something stronger. Less gloss, less sanitized, less safe. Fine. Problem… I am not an actor. Meanwhile, one of my best friends from college read the script and made an off-handed remark that I should write a book. Suddenly, I could take the director's notes which were undeniably insightful, and save everyone the embarrassment of watching me “act”. I could talk about the extreme hilarity and epic failures during rehearsals. The perils of dating while prepping for a show. My love/hate relationship with Rachmaninov and the stupidity of putting up his “Rhapsody on a Theme of Paganini” with full orchestra having played it in its entirety only one time before performing it. I decided not to go all the way back, but rather use one piece of music, "Totentanz" by Franz LIszt, as a marker for discussion at various performances over a span of twenty-plus years. I would have included Liszt in the title of the book, but Rachmaninov fit the alliteration better, is a far more vexing piece of music and was with me during the same time period. I am clearly procrastinating from the piano, as I HATE PRACTICE.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Cinema without Reflection Jacques Derrida’s Echopoiesis and Narcissim Adrift【電子書籍】[ Akira Mizuta Lippit ]

＜p＞＜em＞Cinema without Reflection＜/em＞ traces an implicit film theory in Jacques Derrida’s oeuvre, especially in his frequent invocation of the myth of Echo and Narcissus. Derrida’s reflections on the economies of image and sound that reverberate in this story, along with the spectral dialectics of love, mirrors, and poiesis, serve as the basis for a theory of cinema that Derrida perhaps secretly imagined.＜/p＞ ＜p＞Following Derrida’s interventions on Echo and Narcissus across his thought on the visual arts, Akira Mizuta Lippit seeks to return to a theory of cinema adrift in Derrida’s philosophy.＜/p＞ ＜p＞Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Deleuze, Japanese Cinema, and the Atom Bomb The Spectre of Impossibility【電子書籍】[ David Deamer ]

＜p＞David Deamer establishes the first ever sustained encounter between Gilles Deleuze's ＜em＞Cinema＜/em＞ books and post-war Japanese cinema, exploring how Japanese films responded to the atomic bombings of Hiroshima and Nagasaki. From the early days of occupation political censorship to the social and cultural freedoms of the 1960s and beyond, the book examines how images of the nuclear event appear in post-war Japanese cinema.＜/p＞ ＜p＞Each chapter begins by focusing upon one or more of three key Deleuzian themes ? image, history and thought ? before going on to look at a selection of films from 1945 to the present day. These include movies by well-known directors Kurosawa Akira, Shindo Kaneto, Oshima Nagisa and Imamura Shohei; popular and cult classics ? ＜em＞Godzilla＜/em＞ (1954), ＜em＞Akira＜/em＞ (1988) and ＜em＞Tetsuo＜/em＞ (1989); contemporary genre flicks ? ＜em＞Ring＜/em＞ (1998), ＜em＞Dead or Alive＜/em＞ (1999) and ＜em＞Casshern＜/em＞ (2004); the avant-garde and rarely seen documentaries. The author provides a series of tables to clarify the conceptual components deployed within the text, establishing a unique addition to Deleuze and cinema studies.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】The Toho Studios Story A History and Complete Filmography【電子書籍】[ Stuart Galbraith IV ]

＜p＞Since its inception in 1933, Toho Co., Ltd., Japan's most famous movie production company and distributor, has produced and/or distributed some of the most notable films ever to come out of Asia, including Seven Samurai, Godzilla, When a Woman Ascends the Stairs, Kwaidan, Woman in the Dunes, Ran, Shall We Dance?, Ringu, and Spirited Away. While the western world often defines Toho by its iconic classics, which include the Godzilla franchise and many of the greatest films of the legendary director Akira Kurosawa and actor Toshiro Mifune, these pictures represent but a tiny fraction of Toho's rich history.＜/p＞ ＜p＞The Toho Studios Story: A History and Complete Filmography provides a complete picture of every Toho feature the Japanese studio produced and releasedーas well as foreign films that it distributedーduring its first 75 years. Presented chronologically, each entry in the filmography includes, where applicable, the original Japanese title, a direct translation of that title, the film's international, U.S. release, and alternate titles; production credits, including each film's producers, director, screenwriters, cinematographers, art directors, and composers, among others; casts with character names; production companies, technical specs, running times, and release dates; U.S. release data including distributor, whether the film was released subtitled or dubbed, and alternate versions; domestic and international awards; and plot synopses.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Welles, Kurosawa, Kozintsev, Zeffirelli Great Shakespeareans: Volume XVII【電子書籍】[ Professor Mark Thornton Burnett ]

＜p＞＜em＞Great Shakespeareans＜/em＞ offers a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally.＜/p＞ ＜p＞In this volume, leading scholars assess the contribution of Orson Welles, Akira Kurosawa, Grigori Kozintsev and Franco Zeffirelli to the afterlife and reception of Shakespeare and his plays. Each substantial contribution assesses the double impact of Shakespeare on the figure covered and of the figure on the understanding, interpretation and appreciation of Shakespeare, provide a sketch of their subject's intellectual and professional biography and an account of the wider cultural context, including comparison with other figures or works within the same field.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】The Epic in Film From Myth to Blockbuster【電子書籍】[ Constantine Santas ]

＜p＞Constantine Santas encourages us to wonder why film critics have so routinely dismissed the epic film. In ＜em＞The Epic in Film＜/em＞, he argues that "blockbuster" and "artistic" are not mutually exclusive terms, and, perhaps more importantly, epic film is an inherently profound genre in its ability to tap into a nation's, and sometimes humanity's, dreams and fears. Why do we see dozens and dozens of films based on the King Arthur legend? Why would a presidential-hopeful borrow a phrase, "Read my lips," from Clint Eastwood's ＜em＞Dirty Harry＜/em＞? Why do war epics proliferate in times of war or national crisis? Why are epics as a whole the most popular movie genre? Start with an individual quest of some kind undertaken by an attractive hero or heroine, add the weight of a nation, and perhaps humanity, into that character's struggle, sprinkle some awe-inspiring special effects and a general sense of largesse, and don't forget the happy ending; and there you have a recipe for a film that can contain the deepest emotions-fear, hope, insecurity, pride-of a nation, and, sometimes, a world. Whether you love ＜em＞Gone with the Wind＜/em＞ and hate ＜em＞Troy＜/em＞; find Akira Kurosawa's films brilliant; or marvel over the depth of the ＜em＞Matrix＜/em＞ trilogy, film buffs will want to read this first book-length treatment of the epic, a wildly popular, infinitely fascinating, and critically underappreciated genre.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Everything I Know About Filmmaking I Learned Watching Seven Samurai【電子書籍】[ Richard D. Pepperman ]

＜p＞In celebration of the sixtieth anniversary of Akira Kurosawa’s Seven Samurai ? one of cinema’s most superb and influential achievements ? Richard D. Pepperman presents this elegant book as a master class, and illustrates, with beautiful strokes of insight, how and why this film has inspired generations of filmmakers. Here is a handbook for directors, screenwriters, and editors, and a guide for all curious lovers of cinema.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Akira Kurosawa. La mirada del samurai【電子書籍】[ Jordi Puigdomenech ]

＜p＞Akira Kurosawa forma parte de ese reducido grupo de maestros del cine que han acertado a forjarse una trayectoria profesional y art?stica fundamentada en un profundo dominio de los diferentes ?mbitos industriales, art?sticos e intelectuales que rodean a la creaci?n cinematogr?fica. En su caso, este dominio queda reflejado en su personal estilo de narrativa f?lmica: un estilo que le permiti? articular un discurso de alto nivel expresivo e inconfundiblemente propio.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Kurosawa Film Studies and Japanese Cinema【電子書籍】[ Mitsuhiro Yoshimoto ]

＜p＞The films of Akira Kurosawa have had an immense effect on the way the Japanese have viewed themselves as a nation and on the way the West has viewed Japan. In this comprehensive and theoretically informed study of the influential director’s cinema, Mitsuhiro Yoshimoto definitively analyzes Kurosawa’s entire body of work, from 1943’s ＜em＞Sanshiro Sugata＜/em＞ to 1993’s ＜em＞Madadayo＜/em＞. In scrutinizing this oeuvre, Yoshimoto shifts the ground upon which the scholarship on Japanese cinema has been built and questions its dominant interpretive frameworks and critical assumptions.＜br /＞ Arguing that Kurosawa’s films arouse anxiety in Japanese and Western critics because the films problematize Japan’s self-image and the West’s image of Japan, Yoshimoto challenges widely circulating clich?s about the films and shows how these works constitute narrative answers to sociocultural contradictions and institutional dilemmas. While fully acknowledging the achievement of Kurosawa as a filmmaker, Yoshimoto uses the director’s work to reflect on and rethink a variety of larger issues, from Japanese film history, modern Japanese history, and cultural production to national identity and the global circulation of cultural capital. He examines how Japanese cinema has been “invented” in the discipline of film studies for specific ideological purposes and analyzes Kurosawa’s role in that process of invention. Demonstrating the richness of both this director’s work and Japanese cinema in general, Yoshimoto’s nuanced study illuminates an array of thematic and stylistic aspects of the films in addition to their social and historical contexts.＜br /＞ Beyond aficionados of Kurosawa and Japanese film, this book will interest those engaged with cultural studies, postcolonial studies, cultural globalization, film studies, Asian studies, and the formation of academic disciplines.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Akira Yoshizawa, Japan's Greatest Origami Master Featuring over 60 Models and 1000 Diagrams by the Master【電子書籍】[ Akira Yoshizawa ]

＜p＞＜strong＞This collection of projects by the "father of modern origami" contains detailed instructions for 60 of the master's original works.＜/strong＞＜/p＞ ＜p＞Master origami artist Akira Yoshizawa was a true innovator who played a seminal role in the rebirth of origami in the modern world. He served as a bridge between past and presentーbetween the ancient traditional craft and the development of origami as a modern practiceーin terms of inventing new techniques and in preserving the traditional Japanese forms. In fact, the notational system of diagrams widely used today to indicate how models are folded was largely invented by him. Above all, Yoshizawa was responsible for elevating origami to the status of an art form.＜/p＞ ＜p＞This beautiful origami book is the first comprehensive survey of the extraordinary work of Akira Yoshizawa. In addition to 60 models from his private collection, it features over 1,000 original drawings by the artist, and English translations of his writings in Japanese on origami, all of which are published here for the very first time.＜/p＞ ＜p＞＜strong＞Origami projects include:＜/strong＞＜/p＞ ＜ul＞ ＜li＞The Koinobori and the Helmet＜/li＞ ＜li＞Butterflies of Every Kind＜/li＞ ＜li＞Fairy Tale Crowns and Caps＜/li＞ ＜li＞The Lion Mask＜/li＞ ＜li＞The Tengu Masks＜/li＞ ＜li＞and many more!＜/li＞ ＜/ul＞ ＜p＞＜em＞Akira Yoshizawa＜/em＞ also contains an explanation of the Master's personal philosophy of origami by Yoshizawa's widow, Kiyo Yoshizawa and an insightful introduction from Robert Lang, a leading artist and exponent of origami art in the West.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Cultures of Representation Disability in World Cinema Contexts【電子書籍】

＜p＞＜em＞Cultures of Representation＜/em＞ is the first book to explore the cinematic portrayal of disability in films from across the globe. Contributors explore classic and recent works from Belgium, France, Germany, India, Italy, Iran, Japan, Korea, Mexico, Netherlands, Russia, Senegal, and Spain, along with a pair of globally resonant Anglophone films. Anchored by David T. Mitchell and Sharon L. Snyder's coauthored essay on global disability-film festivals, the volume's content spans from 1950 to today, addressing socially disabling forces rendered visible in the representation of physical, developmental, cognitive, and psychiatric disabilities. Essays emphasize well-known global figures, directors, and industries ? from Temple Grandin to Pedro Almod?var, from Akira Kurosawa to Bollywood ? while also shining a light on films from less frequently studied cultural locations such as those portrayed in the Iranian and Korean New Waves. Whether covering postwar Italy, postcolonial Senegal, or twenty-first century Russia, the essays in this volume will appeal to scholars, undergraduates, and general readers alike.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Imitation and Creativity in Japanese Arts From Kishida Ryusei to Miyazaki Hayao【電子書籍】[ Michael Lucken ]

＜p＞The idea that Japanese art is produced through rote copy and imitation is an eighteenth-century colonial construct, with roots in Romantic ideals of originality. Offering a much-needed corrective to this critique, Michael Lucken demonstrates the distinct character of Japanese mimesis and its dynamic impact on global culture, showing through several twentieth-century masterpieces the generative and regenerative power of Japanese arts.＜/p＞ ＜p＞Choosing a representative work from each of four modern genresーpainting, film, photography, and animationーLucken portrays the range of strategies that Japanese artists use to re-present contemporary influences. He examines Kishida Ryusei's portraits of Reiko (1914?1929), Kurosawa Akira's ＜em＞Ikiru＜/em＞ (1952), Araki Nobuyoshi's photographic novel ＜em＞Sentimental JourneyーWinter＜/em＞ (1991), and Miyazaki Hayao's popular anime film ＜em＞Spirited Away＜/em＞ (2001), revealing the sophisticated patterns of mimesis that are unique but not exclusive to modern Japanese art. In doing so, Lucken identifies the tensions that drive the Japanese imagination, which are much richer than a simple opposition between progress and tradition, and their reflection of human culture's universal encounter with change. This global perspective explains why, despite its non-Western origins, Japanese art has earned such a vast following.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】The Japanese Cinema Book【電子書籍】

＜p＞＜em＞The Japanese Cinema Book＜/em＞ provides a new and comprehensive survey of one of the world's most fascinating and widely admired filmmaking regions. In terms of its historical coverage, broad thematic approach and the significant international range of its authors, it is the largest and most wide-ranging publication of its kind to date.＜br /＞ Ranging from renowned directors such as Akira Kurosawa to neglected popular genres such as the film musical and encompassing topics such as ecology, spectatorship, home-movies, colonial history and relations with Hollywood and Europe, ＜em＞The Japanese Cinema Book＜/em＞ presents a set of new, and often surprising, perspectives on Japanese film.＜br /＞ With its plural range of interdisciplinary perspectives based on the expertise of established and emerging scholars and critics, ＜em＞The Japanese Cinema Book＜/em＞ provides a groundbreaking picture of the different ways in which Japanese cinema may be understood as a local, regional, national, transnational and global phenomenon.＜br /＞ The book's innovative structure combines general surveys of a particular historical topic or critical approach with various micro-level case studies. It argues there is no single fixed Japanese cinema, but instead a fluid and varied field of Japanese filmmaking cultures that continue to exist in a dynamic relationship with other cinemas, media and regions.＜br /＞ ＜em＞The Japanese Cinema Book＜/em＞ is divided into seven inter-related sections:＜br /＞ ・ Theories and Approaches＜br /＞ ・ * Institutions and Industry＜br /＞ ・ * Film Style＜br /＞ ・ * Genre＜br /＞ ・ * Times and Spaces of Representation＜br /＞ ・ * Social Contexts＜br /＞ ・ * Flows and Interactions＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Interpreting Anime【電子書籍】[ Christopher Bolton ]

＜p＞＜strong＞For students, fans, and scholars alike, this wide-ranging primer on anime employs a panoply of critical approaches＜/strong＞＜/p＞ ＜p＞Well-known through hit movies like ＜em＞Spirited Away＜/em＞, ＜em＞Akira＜/em＞, and ＜em＞Ghost in the Shell＜/em＞, anime has a long history spanning a wide range of directors, genres, and styles. Christopher Bolton’s ＜em＞Interpreting Anime＜/em＞ is a thoughtful, carefully organized introduction to Japanese animation for anyone eager to see why this genre has remained a vital, adaptable art form for decades.＜/p＞ ＜p＞＜em＞Interpreting Anime＜/em＞ is easily accessible and structured around individual films and a broad array of critical approaches. Each chapter centers on a different feature-length anime film, juxtaposing it with a particular mediumーlike literary fiction, classical Japanese theater, and contemporary stage dramaーto reveal what is unique about anime’s way of representing the world. This analysis is abetted by a suite of questions provoked by each film, along with Bolton’s incisive responses.＜/p＞ ＜p＞Throughout, ＜em＞Interpreting Anime＜/em＞ applies multiple frames, such as queer theory, psychoanalysis, and theories of postmodernism, giving readers a thorough understanding of both the cultural underpinnings and critical significance of each film. What emerges from the sweep of ＜em＞Interpreting Anime＜/em＞ is Bolton’s original, articulate case for what makes anime unique as a medium: how it at once engages profound social and political realities while also drawing attention to the very challenges of representing reality in animation’s imaginative and compelling visual forms.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Not just a mirror. Looking for the political theatre today Performing Urgency 1【電子書籍】[ Julian Boal ]

＜p＞Der englischsprachige Band Not Just a Mirror setzt sich mit grundlegenden Fragen des politischen Theaters in der Gegenwart auseinander und stellt k?nstlerisch-politische Strategien und Praktiken von Theatermachern aus aller Welt vor - u. a. Chto Delat, Milo Rau, Kretak?r, Faustin Linyekula, Public Movement, Christoph Schlingensief, Akira Takayama. Mit Beitr?gen von Julian Boal, Boris Buden, Matan Cohen, Annie Dorsen, Galit Eilat, Monika Ginterdorfer, John Jordan, Alexander Karschnia, Herv? Kimenyi, Beatrix Kricsfalusi, Bojana Kunst, Hans-Thies Lehmann, Judith Malina, Florian Malzacher, Tala Jamal Manassah, Oliver Marchart, Carol Martin, Giulia Palladini, Roman Pawlowski, Jeroen Peeters, Goran Sergej Prista?, Christian R?mer, Sylvia Sasse, Francesco Scasciamacchia, Michael Sengazi, Vassilis Tsianos, Margarita Tsomou, Franck Edmond Yao u. a.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Ma?tre artiste【電子書籍】[ Yoan Dumas ]

＜p＞Akira, un jeune apprenti, int?gre les rangs de Hiroshi, une ?minente institution d?di?e aux arts. L?, il tisse des liens avec d’autres adolescents dou?s d’un talent exceptionnel. Au fur et ? mesure qu’il explore son propre potentiel cr?atif, il prend conscience d’un danger imminent : Onirisme. Cette entit? venue d’ailleurs met en p?ril l’?quilibre de l’univers artistique. Aux c?t?s de ses compagnons, il s’engage ? prot?ger leur monde contre cette menace terrifiante. Parviendront-ils ? vaincre ce redoutable monstre ?＜/p＞ ＜p＞? PROPOS DE L'AUTEUR＜/p＞ ＜p＞L’?criture offre ? ＜strong＞Yoan Dumas＜/strong＞ une ?chappatoire vers des mondes qu’il per?oit comme meilleurs. ? travers ce premier roman, "Ma?tre artiste", il convie les lecteurs ? explorer un univers fantastique o? se m?lent myst?res et arts.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】New Consumer Behavior Theories from Japan【電子書籍】[ Akira Shimizu ]

＜p＞This book focuses on a new type of inclusive consumer decision-making process model (CDM) related to new leading-edge consumers. There have been two main types of CDMs for consumer behavior: one is the stimulus?response model and the other is the information-processing model. The stimulus?response model is applicable when consumers buy low-involvement products, and the information-processing model applies for high-involvement products. Thus consumers’ decision making depends on the involvement level for the products.＜/p＞ ＜p＞With the advent of the widespread use of the Internet, however, the situation has changed. Consumers whose information sensitivity is high (i.e., among leading-edge consumers) now use the Internet to search for information even for low-involvement products. The consumers’ decision-making process depends therefore on their information sensitivity, not on the involvement level of the products. Also, these leading-edge consumers become in effect another type of media as they broaden their experience through the Internet.＜/p＞ ＜p＞Under these circumstances, research about leading-edge consumers and the introduction of a new CDM is highly significant. This book gathers data about leading-edge consumers, analyzes these data, then proposes a new type of CDM called “circulation marketing”. Following this model, not only the previous types of CDM, but also the new kind of CDM, including share behavior of leading-edge consumers, is explained.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Anime Impact The Movies and Shows that Changed the World of Japanese Animation【電子書籍】[ Chris Stuckmann ]

＜p＞＜strong＞An exploration of anime's masterpieces and game-changers from the 1960s to the presentーwith contributions from writers, artists, superfans and more.＜/strong＞＜br /＞ Animeーor Japanese animationーhas been popular in Japan since ＜em＞Astro Boy＜/em＞ appeared in 1963. Subsequent titles like ＜em＞Speed Racer＜/em＞ and ＜em＞Kimba the White Lion＜/em＞ helped spread the fandom across the country. In America, a dedicated underground fandom grew through the 80s and 90s, with breakthrough titles like Katsuhiro Otomo's ＜em＞Akira＜/em＞ making their way into the mainstream.＜br /＞ ＜em＞Anime Impact＜/em＞ explores the iconic anime movies and shows that left a mark on popular culture around the world. Film critic and longtime fan Chris Stuckmann takes readers behind the scenes of legendary titles as well as hidden gems rarely seen outside Japan. Plus anime creators, critics and enthusiastsーincluding ＜em＞Ready Player One＜/em＞ author Ernest Cline, manga artist Mark Crilley, and YouTube star Tristan "Arkada" Gallantーshare their stories, insights and insider perspectives.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】From Hell to Heaven on Earth: Where It All Began From Hell to Heaven on Earth, #1【電子書籍】[ Takira Thomas ]

＜p＞This fiction novel is based on real-life events. It's a story about the love and hate situations a young lady endured since birth. Showing the difficult obstacles Harmony experienced throughout her life.This book is full of action, romance, and drama. If you have ever struggled for better, then this book would be perfect for you. So, buckle up, and get ready for the ride of your life.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Vem?dobrar?comigo O poder do origami【電子書籍】[ Alexandre Ferrari ]

＜p＞Fred acaba de se mudar para uma nova cidade por causa do trabalho de sua m?e. Franzino, introspectivo, t?mido e v?tima de bullying ? a descri??o de dezenas de crian?as que todos os dias come?am em uma nova escola e nem conhecem ningu?m. Ele n?o perdeu apenas sua cidade natal, mas tamb?m os poucos amigos que tinha. Assim, os dias a seguir se mostravam muito dif?ceis at?… ele conhecer o novo professor substituto, Beto, que vai dar um novo sentido a sua vida quando lhe apresentou um trabalho que iria acompanh?-lo durante todo o ano: a cria??o de figuras de origami, a arte de dobrar papel. Fred vai aprender a fazer desde figuras como cavalos marinhos, dinossauros e drag?es. Nesse caminho vai aprender mais do que uma t?cnica associada ? cultura japonesa, mas uma forma inclusiva de rela??es humanas entre seus colegas e as pessoas ao seu redor. Quem nos guia nessa hist?ria ? o origamista brasileiro Alexandre Ferrari, autodidata que nos ?ltimos 40 anos aprendeu centenas de figuras de autores como Akira Yoshizawa, John Montroll e Robert J. Lang, alguns dos mais renomados origamistas do mundo, e agora apresenta as suas pr?prias cria??es.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Atlas del cine La vuelta al mundo en 360 pel?culas, de Nosferatu a Par?sitos【電子書籍】[ Olivier Bousquet ]

＜ul＞ ＜li＞?Taxi Driver muestra el aut?ntico Nueva York de la ?poca? ?El planeta Tatooine, de La guerra de las galaxias, es m?s que un decorado de estudio? ?Nosferatu se rod? en Transilvania?＜/li＞ ＜li＞Este atlas es una vuelta al mundo en la que cada pel?cula explora un lugar m?tico del cine: Madrid y el cine de Pedro Almod?var, Monument Valley y los westerns de John Ford, Par?s y Am?lie.＜/li＞ ＜li＞Las pel?culas, acompa?adas de fotograf?as y mapas, se analizan y se comentan a la luz de sus decorados y sus paisajes, reales como la favela de Ciudad de Dios o ficticios como la Ciudad Prohibida de 55 d?as en Pek?n (recreada ?ntegramente en Espa?a).＜/li＞ ＜/ul＞ ＜p＞＜strong＞M?s all? de las pel?culas, los autores descifran los v?nculos entre cineastas y lugares: Woody Allen y Nueva York o Akira Kurosawa y Gotenba, entre otros. Asimismo, se rinde homenaje a los lugares imprescindibles del cine, como la Estatua de la Libertad (Los Cazafantasmas II, X-Men) o, incluso, el planeta Marte.＜/strong＞＜br /＞ En este libro, la importancia de las pel?culas no se mide por el lugar que ocupan en la historia del s?ptimo arte, por su impacto o sus repercusiones, sino por los lugares donde transcurren. Por lo que comunica el marco geogr?fico, arquitect?nico, natural, sobre el prop?sito que persiguen. Es otra manera de recorrer los caminos del cine, tan variados. Una manera de cambiar de punto de vista (que en ocasiones transmite la sensaci?n un tanto emocionante de entrar por la puerta de atr?s, por el patio trasero en el que no hab?amos reparado), de entender mejor las cosas de repente con solo asomarnos a otra ventana.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Das Origami-Buch 25 Faltmodelle f?r Kinder, Einsteiger und Fortgeschrittene (einfach erkl?rt)【電子書籍】[ Akira Yamamoto ]

＜p＞Origami, die Kunst des Papierfaltens, beschreibt den Vorgang des Faltens von Papier zu unterschiedlichen Figuren. Dies k?nnen Tiere, wie z.B. Schmetterlinge, Fische oder Koalas, oder aber auch Schiffe, Papierflieger und Briefe sein. Den M?glichkeiten sind quasi keine Grenzen gesetzt. F?r die Modelle in diesem Buch ben?tigen Sie nur quadratisches Papier und ab und zu Mal einen Stift um Augen oder Nasen einzuzeichnen. Origami zu falten ist also denkbar einfach und ben?tigt lediglich einer guten Anleitung, welche nat?rlich in diesem Origami Buch zu finden ist. Dieses Buch richtet sich an alle Interessierten der Faltkunst und ist deshalb ?berwiegend einfach gehalten. Auch Kinder k?nnen die meisten Modelle problemlos nachfalten. Damit auch Eltern bzw. Erwachsene/Fortgeschrittene auf Ihre Kosten kommen und knobeln k?nnen, ist dieses Buch in einfache, mittlere und schwere Modelle unterteilt. Wir hoffen, Ihnen sagt das Buch zu und w?nschen viel Vergn?gen beim Nachfalten!＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Darkness, censure et cin?ma (1. Gore & violence)【電子書籍】[ Christophe Triollet ]

＜p＞＜strong＞Collection d’ouvrages consacr?s ? la censure au cin?ma. Premier volume : gore & violence.＜/strong＞＜/p＞ ＜p＞Sommaire＜/p＞ ＜ul＞ ＜li＞Le cin?ma gore, c’est grave ? (Christophe Triollet) 11＜/li＞ ＜li＞NIFFF 2011 : le gore, d’un mode de repr?sentation ? son institutionnalisation (Julien Bono) 21＜/li＞ ＜li＞Croquemitaine. Morale puritaine et “gorification” (Lionel Trelis) 31＜/li＞ ＜li＞La violence du slasher film. Une affaire de morale (Florent Christol) 37＜/li＞ ＜li＞L’horreur ? la t?l?vision am?ricaine. Quand la peur s’invite dans le salon (Benjamin Campion) 69＜/li＞ ＜li＞Le gore cronenbergien (Fred Bau) 81＜/li＞ ＜li＞Le gore dans les films sur le Moyen ?ge. D’un pass? ? l’?cran au pass? comme ?cran (Yohann Chanoir) 113＜/li＞ ＜li＞Fulci, le gore et la censure (Lionel Grenier) 129＜/li＞ ＜li＞De l’influence d’Akira Kurosawa sur le cin?ma sanglant (Eric Peretti) 143＜/li＞ ＜li＞L’?pop?e Sushi Typhoon. Sexe, gore et humour potache (S?bastien Lecocq) 153＜/li＞ ＜li＞Lucifer Valentine. Sympathy for the devil (S?bastien Lecocq) 163＜/li＞ ＜li＞Paul Verhoeven. Goor, vous avez dit goor ? (Fred Bau) 171＜/li＞ ＜li＞Torture, inquisition et sorcellerie au cin?ma (Albert Montagne) 193＜/li＞ ＜li＞Gorenographie. Du sang, du foutre et des vampires (Alan Deprez) 205＜/li＞ ＜li＞Snuff movies, l?gende ou r?alit? ? (Christophe Triollet) 221＜/li＞ ＜li＞Torture porn, jusqu’au bout de l’horreur (Christophe Triollet) 227＜/li＞ ＜li＞Violence au cin?ma (Christophe Triollet) 233＜/li＞ ＜li＞Violence et cin?ma (Jean-Baptiste Gu?gan) 239＜/li＞ ＜li＞Violence et ch?timent. La justice par la mort (Lionel Trelis) 249＜/li＞ ＜li＞La violence est parmi nous (Christophe Triollet) 255＜/li＞ ＜li＞Mim?tisme et confusion (Lionel Trelis) 259＜/li＞ ＜li＞France-Chine. Violence, cin?ma et censure (Jean-Baptiste Gu?gan) 265＜/li＞ ＜li＞Conflits de g?n?ration, suicide et ultra violence. Tabous cin?matographiques d’une jeunesse sacrifi?e (S?bastien Lecocq) 271＜/li＞ ＜li＞Les films X violence. Une censure m?connue du cin?ma fran?ais (Albert Montagne) 279＜/li＞ ＜li＞L’affaire du film ＜em＞Martyrs＜/em＞ (Christophe Triollet) 289＜/li＞ ＜li＞Les revues interdites (Bernard Joubert) 295＜/li＞ ＜li＞Br?ves censoriales (305)＜/li＞ ＜/ul＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Mondes du cin?ma 4【電子書籍】[ Pascal Bonitzer ]

＜p＞Num?ro 4 de la revue Mondes du cin?ma＜/p＞ ＜p＞Au sommaire :＜/p＞ ＜p＞＜strong＞ECRITURE/IMAGE＜/strong＞＜br /＞ Comme ?a s'?crit - Pascal Bonitzer - Le sc?nario comme balkanisation (heureuse) - Shelly Sliver - Marina de Van - Jean-Paul Fargier - Last Man Standing - Lost : cause＜/p＞ ＜p＞＜strong＞POLITIQUE DU CIN?MA＜/strong＞＜br /＞ Au d?part des images, noir - Petites r??critures de l'Histoire : multiples reflets du m?me ?v?nement, l'assassinat de Ry?ma - Au sujet de la s?rie d'animation japonaise - Bakumatsu Kikansetsu, Irohanihoheto - G?om?trie politique chez Akira Kurosawa : duelle f?odalit? vs d?mocratie triangle＜/p＞ ＜p＞＜strong＞KAL?IDOSCOPE＜/strong＞＜br /＞ Regards sur le cin?ma marocain - Un cin?ma qui a tout d'un grand mais qui ne le sait pas encore - Tinghir-J?rusalem : les ?chos du Mellah, un film aux bin?mes multiples - L'aventure d’un label ind?pendant : conversation avec Silke Schmickl, directrice de Lowave - Images ?parses - Barton Fink ou l'?criture selon les fr?res Coen - Questions ? Pascal-Alex Vincent - Rencontres par la danse et l'image : Epileptic Opera Butoh＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。