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【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】La vie filmique des marionnettes【電子書籍】

＜p＞DES PREMIERS FILMS Path? aux ?crans num?riques, la marionnette a connu une vie filmique ? ?clipses, surgissant soudain et par ?clats chez les plus grands, de Chaplin ? Roberto Benigni, de Renoir et Bergman ? Spielberg, Kitano et Tim Burton. Longtemps confin?e dans l’animation, elle conna?t aujourd’hui un spectaculaire retour sur les ?crans du monde entier. Plus subversive que m?lancolique, elle est cette cr?ature double qui ne cesse de se lib?rer des liens qui l’assujettissent, dans le mutisme et l’humiliation, au Montreur ventriloque, au P?re, au Deus/Diabolus ex machina. Elle est au cin?aste, ? l’acteur, au spectateur ce que le Sphinx est ? ?dipe : riche d’une vie sauvage, obsc?ne, archa?que ? laquelle il leur faut un temps se confronter. ? travers ces corps de fronti?re en constantes mutations, les miroirs grossissants du cin?ma nous renvoient les images lib?ratrices d’une modernit? en travail, entre retours ? l’enfance, m?tamorphoses burlesques et passages vers d’inqui?tantes ou sublimes ?tranget?s. Pour sortir de l’ombre la vie filmique des marionnettes, Laurence Schifano, Professeur d’?tudes cin?matographiques ? l’Universit? Paris 10, a rassembl? ici des historiens et des chercheurs dont les domaines de recherche se situent aux confins de la psychanalyse, de la litt?rature, du th??tre et du cin?ma.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Digital Performance A History of New Media in Theater, Dance, Performance Art, and Installation【電子書籍】[ Steve Dixon ]

＜p＞＜strong＞The historical roots, key practitioners, and artistic, theoretical, and technological trends in the incorporation of new media into the performing arts.＜/strong＞＜/p＞ ＜p＞The past decade has seen an extraordinarily intense period of experimentation with computer technology within the performing arts. Digital media has been increasingly incorporated into live theater and dance, and new forms of interactive performance have emerged in participatory installations, on CD-ROM, and on the Web. In ＜em＞Digital Performance＜/em＞, Steve Dixon traces the evolution of these practices, presents detailed accounts of key practitioners and performances, and analyzes the theoretical, artistic, and technological contexts of this form of new media art. Dixon finds precursors to today's digital performances in past forms of theatrical technology that range from the deus ex machina of classical Greek drama to Wagner's Gesamtkunstwerk (concept of the total artwork), and draws parallels between contemporary work and the theories and practices of Constructivism, Dada, Surrealism, Expressionism, Futurism, and multimedia pioneers of the twentieth century.＜/p＞ ＜p＞For a theoretical perspective on digital performance, Dixon draws on the work of Philip Auslander, Walter Benjamin, Roland Barthes, Jean Baudrillard, and others. To document and analyze contemporary digital performance practice, Dixon considers changes in the representation of the body, space, and time. He considers virtual bodies, avatars, and digital doubles, as well as performances by artists including Stelarc, Robert Lepage, Merce Cunningham, Laurie Anderson, Blast Theory, and Eduardo Kac. He investigates new media's novel approaches to creating theatrical spectacle, including virtual reality and robot performance work, telematic performances in which remote locations are linked in real time, Webcams, and online drama communities, and considers the "extratemporal" illusion created by some technological theater works. Finally, he defines categories of interactivity, from navigational to participatory and collaborative. Dixon challenges dominant theoretical approaches to digital performanceーincluding what he calls postmodernism's denial of the newーand offers a series of boldly original arguments in their place.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】R.U.R. and the Vision of Artificial Life【電子書籍】[ Karel Capek ]

＜p＞＜strong＞A new translation of Karel ?apek’s play ＜em＞R.U.R＜/em＞.ーwhich famously coined the term “robot”ーand a collection of essays reflecting on the play’s legacy from scientists and scholars who work in artificial life and robotics.＜/strong＞＜/p＞ ＜p＞＜em＞Karel ?apek's “R.U.R.” and the Vision of Artificial Life＜/em＞ offers a new, highly faithful translation by ?t?p?n ?imek of Czech novelist, playwright, and critic Karel ?apek’s play ＜em＞R.U.R.: Rossum’s Universal Robots＜/em＞, as well as twenty essays from contemporary writers on the 1920 play. ＜em＞R.U.R.＜/em＞ is perhaps best known for first coining the term “robot” (in Czech, ＜em＞robota＜/em＞ means serfdom or arduous drudgery). The twenty essays in this new English edition, beautifully edited by Jitka ?ejkov?, are selected from ＜em＞Robot 100＜/em＞, an edited collection in Czech with perspectives from 100 contemporary voices that was published in 2020 to celebrate the hundredth anniversary of the play.＜/p＞ ＜p＞?apek’s robots were autonomous beings, but biological, not mechanical, made of chemically synthesized soft matter resembling living tissue, like the synthetic humans in ＜em＞Blade Runner, Westworld＜/em＞, or ＜em＞Ex Machina＜/em＞. The contributors to the collectionーscientists and other scholarsーexplore the legacy of the play and its connections to the current state of research in artificial life, or ALife. Throughout the book, it is impossible to ignore ?apek’s prescience, as his century-old science fiction play raises contemporary questions with respect to robotics, synthetic biology, technology, artificial life, and artificial intelligence, anticipating many of the formidable challenges we face today.＜/p＞ ＜p＞＜strong＞Contributors＜/strong＞＜br /＞ Jitka ?ejkov?, Miguel Aguilera, I?igo R. Arandia, Josh Bongard, Julyan Cartwright, Seth Bullock, Dominique Chen, Gusz Eiben, Tom Froese, Carlos Gershenson, Inman Harvey, Jana Hor?kov?, Takashi Ikegami, Sina Khajehabdollahi, George Musser, Geoff Nitschke, Julie Nov?kov?, Antoine Pasquali, Hemma Philamore, Lana Sinapayen, Hiroki Sayama, Nathaniel Virgo, Olaf Witkowski＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Le Cafard h?r?tique n°22【電子書籍】[ Antonin Crenn ]

＜p＞Contributeurs et contributions :＜/p＞ ＜p＞Antonin Crenn Ce serait un risque＜/p＞ ＜p＞Charlotte Mon?gier Conte ? rebours＜/p＞ ＜p＞Christine Monot Ma nuit dans les catacombes＜/p＞ ＜p＞Doroth?e Coll Dans mon dos＜/p＞ ＜p＞Eve Vila Des poneys et des pains au chocolat＜/p＞ ＜p＞Florian Bardou Des heures innommables＜/p＞ ＜p＞Gr?gory Rateau K.-O.＜/p＞ ＜p＞Jean-Eudes Foument?ze Lois nouvelles＜/p＞ ＜p＞Jean-Jacques Camy La grand-m?re＜/p＞ ＜p＞Julien Boutreux Deux ex machina＜/p＞ ＜p＞Martin Zeugma Si les films de merde n’existaient pas, on s’embrasserait moins au cin?ma＜/p＞ ＜p＞Mehdi Ikaddaren Tu ne sais rien＜/p＞ ＜p＞Paul Victor Si jamais j’entends encore une fois＜/p＞ ＜p＞ Le droit du fol＜/p＞ ＜p＞R?mi Perronne Du mauvais c?t? de la barri?re＜/p＞ ＜p＞Romane Gonz?lez Poussi?res de plomb＜/p＞ ＜p＞St?phane Rosi?re All Tomorrow’s Parties＜/p＞ ＜p＞Sophie Stern Ce qu’il y a d’humain en nous r?siste＜/p＞ ＜p＞Tom Saja Baby Blues＜/p＞ ＜p＞Yvan Robberechts T’es mort, c’est pour la vie＜/p＞ ＜p＞Visite guid?e de la maison d’?dition L’Ourse brune＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Ex Machina - Salvare l'Umanit? con l'Intelligenza Artificiale【電子書籍】[ Gianluca Valerio ]

＜p＞Cosa succede quando la macchina diventa un compagno di riflessione? Un dialogo che sfider? ogni tua aspettativa. Il futuro inizia qui. In un confronto profondo e stimolante, l'autore e l'intelligenza artificiale esplorano temi come la singolarit? tecnologica, la sopravvivenza dell'umanit?, il bene e il male, il senso stesso dell'esistenza. E, sempre presente tra le righe, il lettore avvertir? la costante sensazione di interagire con un'entit? che non ? pi? semplicemente un pezzo di metallo, ma non ? ancora vita cosciente. Un qualcosa che si riveler? molto pi? di un semplice elaboratore di dati. Un viaggio che mette in discussione le nostre certezze, invitandoci a riflettere su chi siamo, dove stiamo andando e quale ruolo la tecnologia giocher? nel determinare il nostro destino. Se sei pronto a guardare oltre i limiti conosciuti e a esplorare le frontiere del pensiero umano e artificiale, questo libro ? per te. Un'occasione unica per affrontare le sfide del futuro con occhi nuovi.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】History of Science Fiction Films【電子書籍】[ Gregory Hammond ]

＜p＞This book offers an extensive exploration of the history, evolution, and philosophical underpinnings of science fiction films, tracing the genre's development from its early beginnings to the present day. It begins by examining the foundational moments of science fiction cinema, including the influence of early works like ＜em＞Metropolis＜/em＞ and ＜em＞Frankenstein＜/em＞, and moves through the 20th century's key periodsーhighlighting Cold War anxieties, space exploration, and the rise of dystopian narratives. The text delves into the genre's post-1960s maturation, incorporating psychological and philosophical themes, artificial intelligence, and the intersection of science fiction with emerging societal concerns.＜/p＞ ＜p＞With a focus on the evolving role of technology, identity, and environmental crisis, the book analyzes key films that tackle issues such as the ethics of AI, human augmentation, time travel, multiverses, and the consequences of unchecked scientific progress. It examines the transition from spectacle-driven narratives to more intellectual and moral considerations, touching on key works such as ＜em＞2001: A Space Odyssey＜/em＞, ＜em＞Blade Runner＜/em＞, ＜em＞Her＜/em＞, and ＜em＞Ex Machina＜/em＞. The text also reflects on how science fiction has increasingly become a platform for addressing contemporary issues, including race, gender, climate change, and the philosophical implications of our technological future.＜/p＞ ＜p＞In its final chapters, the book looks at the growing influence of streaming platforms and how they've allowed science fiction to expand into serialized formats, offering a deeper exploration of speculative worlds. The text concludes with an investigation into the ethical, emotional, and existential dilemmas posed by the rise of artificial intelligence in the 2020s, focusing on films that engage with questions of human autonomy, machine consciousness, and the future of humanity in a world increasingly shaped by AI. Through its analysis of the genre's past and present, this book illuminates the ongoing relevance of science fiction as both a cultural mirror and a speculative tool, reflecting societal anxieties while offering visions of possible futures.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】The Married Man: A Play in Four Acts【電子書籍】[ D. H. Lawrence ]

＜p＞David Herbert Lawrence (1885 ? 1930) was an English writer and poet. His collected works represent, among other things, an extended reflection upon the dehumanising effects of modernity and industrialisation. Some of the issues Lawrence explores are sexuality, emotional health, vitality, spontaneity, and instinct.＜/p＞ ＜p＞The Married Man, in which a woman with the name Elsa Smith appears as fianc e of the character closest to Lawrence himself, Billy Brentnall. Elsa is highly unconventional: a striking and superb dea ex machina, she descends upon the last act of the play and sorts out the character's lives.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Psi koji tr?e unazad【電子書籍】[ Marko ?or?evi? ]

＜p＞＜em＞Mrtva priroda sa autoportretom＜/em＞ podnaslov je zbirke pesama Marka ?or?evi?a ＜em＞Psi koji tr?e unazad＜/em＞. Slu?aj je hteo da taj podnaslov bude identi?an naslovu pastela Marka ?elebonovi?a, istaknutog predstavnika lirskog kolorizma i intimisti?kog slikarstva. U jednoj slobodnoj asocijativnoj interpretaciji, mo?emo zaklju?iti da nikako ne mo?e biti slu?ajno to ?to dvojica imenjaka nastoje da prika?u ＜em＞sliku-metaforu＜/em＞ kao glavni cilj ＜em＞intimisti?kog prostora＜/em＞. U ＜em＞intimizmu＜/em＞ se sve ono ?to umetnik opa?a i naslu?uje okuplja oko njegovog ＜em＞Ja＜/em＞. Slika je, kako to re?e Ru?evi?, ＜em＞malo otkri?e sveta, ma?te＜/em＞. Ali ne treba izgubiti iz vida da se u slikama-metaforama nalaze i ostaci ne?eg mitolo?kog i htonskog, ?to ?or?evi? precizno demonstrira u stihovima iz pesme ?Snohvatice”: ＜em＞Na gradskom trgu me ??epa poznata ?aka / i vodi ka davno uginulim psima i konjima / iz na?eg dvori?ta. Psi i golu?dravi de?ak poigravaju oko konjskih kola＜/em＞. Ovi stihovi ukazuju na to kako se i stvarnost, koliko i snovi, mogu podjednako upe?atljivo opisati pesni?kim slikama koje u sebi kriju magijsko-obredna i folklorna svojstva jezika.＜/p＞ ＜p＞?or?evi?eva poezija nastaje pomo?u pomeranja slika. On od te ＜em＞kretnje unazad＜/em＞ ?ini jedinstveni lirski doga?aj. U ubrzavanju ili usporavanju ? u rasponu od porodi?nog i kolektivisti?kog, do li?nog i konkretnog ? temelji se proces stvaranja pesni?kih slika koje se re?aju pred ?itao?evim o?ima. Te (pra)slike, koje idu tragovima onoga ?to je ranije postojalo, kao u snovima, dovode do osobo?enja lirskog subjekta od zemaljskih veza, ?to je nagove?teno u programskoj pesmi: ?Sto sa pogledom na reku”: ＜em＞Za＜/em＞ ＜em＞mene,＜/em＞ ＜em＞/＜/em＞ ＜em＞koji sanjam kako tonem,＜/em＞ ＜em＞/＜/em＞ ＜em＞dok poljem psi tr?e unazad＜/em＞. (Vra?anje unazad ve? u naslovu zbirke, doslovno, defini?e ?or?evi?ev poeti?ki postupak.) Ali napetost na granici izme?u magijskih snova i stvarnosti koja stupa te?kim korakom konobarice u borosanama, najbolje je izra?ena u pesmi ?Deus ex machina ne dolazi”: ＜em＞San je ve? ispran. / Sa ulice dopire / zvi?duk radnika. / Stopala tupkaju / stepenicama. / Napetost je oslobo?ena＜/em＞.＜/p＞ ＜p＞Sve pesme iz zbirke ＜em＞Psi koji tr?e unazad＜/em＞ svoje ishodi?te (i poslednje uto?i?te) pronalaze u ＜em＞nastalgiji＜/em＞ koja ne zaboravlja smrt. Na arhetipski na?in, ?or?evi? progovara o ＜em＞istoriji smrti＜/em＞. On slika sna?ne i koloritne porodi?ne saodnose i u njima pohranjuje dominantna ose?anja lirskog subjekta: usamljenost, nepro?ivljenost, stegnutost... Ta ose?anja sublimirana su u pesmi ?Slu?aj pronalaska mrtvih tela u ?ivom ?oveku”: ＜em＞Ogledalom odjekuju / utamni?eni likovi pro?losti. Moje lice ? porodi?na grobnica＜/em＞. (O smrtima bli?njih mo?e se pisati samo iz najve?e blizine, a tu je onda svaka objektivna kontekstualizacija gotovo pa nemogu?a.) Ipak, u dubinskim zna?enjskim slojevima, ?or?evi?eva poezija, od stiha do stiha, ＜em＞su?tinski＜/em＞ traga za onim osnovnim i najuzvi?enijim: za ＜em＞sa?uvanim ?ivotom＜/em＞! ＜em＞Psi koji tr?e unazad＜/em＞ dokaz su da je ta potraga i te kako bila uspe?na!＜/p＞ ＜p＞＜em＞Sr?an V. Te?in＜/em＞＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】El laberinto de Creta (Anotado)【電子書籍】[ F?lix Lope de Vega ]

＜p＞F?lix Lope de Vega y Carpio (Madrid, 1562 - 1635) fue uno de los m?s importantes poetas y dramaturgos del Siglo de Oro espa?ol y, por la extensi?n de su obra, uno de los m?s prol?ficos autores de la literatura universal.＜br /＞ Renov? las f?rmulas del teatro espa?ol en un momento en el que el teatro comenzaba a ser un fen?meno cultural de masas. M?ximo exponente, junto a Tirso de Molina y Calder?n de la Barca, del teatro barroco espa?ol, sus obras siguen represent?ndose en la actualidad y constituyen una de las m?s altas cotas alcanzadas en la literatura y las artes espa?olas. Fue tambi?n uno de los grandes l?ricos de la lengua castellana y autor de varias novelas y obras narrativas largas en prosa y en verso.＜br /＞ Se le atribuyen unos 3000 sonetos, tres novelas, cuatro novelas cortas, nueve epopeyas, tres poemas did?cticos, y varios centenares de comedias. Amigo de Francisco de Quevedo y de Juan Ruiz de Alarc?n, enemistado con Luis de G?ngora y en larga rivalidad con Cervantes, su vida fue tan extrema como su obra.＜br /＞ El laberinto de Creta (1612-15), pertenece a los dramas de asunto mitol?gico; estas obras utilizan como material las Metamorfosis de Ovidio, y son dramas cortesanos representados para la alta aristocracia, incluso para los mismos reyes o nobles, quienes a veces actuaban en ellas. Dispon?an de m?s aparato escenogr?fico y a veces incluso de m?sica. Tambi?n eran llamadas comedias de teatro, comedias de cuerpo o comedias de ruido, con finales deus ex machina. Pertenecen a este grupo tambien Adonis y Venus, El vellocino de oro (1620).＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Will To Live【電子書籍】[ Abbe Alexander ]

＜p＞Deus ex machina. In these days of organ transplants, chromosomal splicing and extended life support methods, the future for a patient is a bright one indeed. Or is it? What happens when a man's drive for life approaches a legal dead end? Only one woman who cares deeply for him can save him. But will she survive?＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Robert Lepage / Ex Machina Revolutions in Theatrical Space【電子書籍】[ Dr James Reynolds ]

＜p＞＜em＞Robert Lepage/Ex Machina: Revolutions in Theatrical Space＜/em＞ provides an ideal introduction to one of our most innovative companies ? and a much-needed and timely reappraisal of Lepage's oeuvre. International, interdisciplinary and intercultural to the core, Ex Machina have negotiated some of the most complex creative and cultural challenges of our time. This book maps the story of that journey by analysing the full spectrum of their richly varied work. Through a comprehensive historiography of productions since 1994, ＜em＞Robert Lepage/Ex Machina＜/em＞ offersa detailed picture of the relationship between director and company, while connecting Ex Machina to culturally specific features of Qu?bec, and its theatre. This book reveals for the first time how overlooked aspects of creativity and culture shaped the company's early work, while installing a dynamic interplay between director and company that would spark a unique and ongoing evolution of praxis. Central to this re-evaluation of practice is the book's identification of an architectural aesthetic at the heart of Ex Machina's work, an aesthetic which provides its artistic and political centres of gravity. Moreover, this architectural aesthetic powers the emergence of concrete narrative as a new and distinctive mode of theatrical storytelling ? uniting story and space, body and technology, content and form ? and demanding that we discover the politics of these performances in the energetic gestures of theatre design, and space itself. Drawing on extensive interviews with Lepage, Ex Machina personnel and collaborative partners, ＜em＞Robert Lepage/Ex Machina＜/em＞ calls upon us to revise both our creative and critical perceptions of this vital and distinctive practice.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Mosca Cieca【電子書籍】[ Stefano Maffei ]

＜p＞Incalzante e dai ritmi di una corsa a perdifiato, il romanzo di Stefano Maffei attanaglia il lettore, rendendolo quasi schiavo della curiosit? che cresce pagina dopo pagina, alla ricerca dell’acme della vicenda. Una scrittura scorrevole, attenta ai dettagli e fortemente drammatica, avvinghia chi legge e lo proietta in un thriller ricco di fatalit? che solo alla fine troveranno una spiegazione.＜br /＞ Un inquietante invito, protetto da una busta sinistramente nera, raggiunge una comitiva di ex compagni di liceo, chiamandoli a ritrovarsi dopo molto tempo. Cos? i capitoli si sfogliano come album che raccontano dei personaggi coinvolti, intrecciandone le vite affamate di futuro ma allo stesso tempo irrimediabilmente legate a un evento del passato che ha segnato le loro esistenze.＜br /＞ In un continuo andirivieni tra la storia in presa diretta e i flashback che puntellano il racconto, l’autore ci chiama a ricostruire i pezzi di un puzzle dai contorni sempre pi? angoscianti.＜br /＞ Ci si addentra sempre pi? nelle storie dei protagonisti, vedendo con i loro occhi e camminando sulle loro gambe, adeguando il ritmo del proprio cuore ai battiti di tensione degli attori che di volta in volta calcano la scena del racconto.＜br /＞ Rumori oscuri, sinistre coincidenze metteranno in moto la mente di chi legge, alla ricerca del deus ex machina dell’incubo che coinvolge tutti.＜br /＞ Mosca Cieca diventa un folle gioco cui siamo chiamati a partecipare, un brancolare nel buio, alla ricerca della soluzione finale che non arriva se non dopo l’ennesimo colpo di scena, abilmente architettato dalla penna dell’autore.＜br /＞ Non sarebbe giusto andare oltre. Stefano Maffei ci dona un’occasione per abbandonare il nostro corpo e far muovere il nostro spirito attraverso le righe di un thriller che lascia senza fiato, dalla prima all’ultima ambitissima riga.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】FAME: Oscar Issac【電子書籍】[ Darren G. Davis ]

＜p＞FAME: Oscar Isaac is a captivating comic book biography tracing the rise of one of Hollywood’s most versatile actors. From his early life in Guatemala to his breakthrough roles in "Inside Llewyn Davis", "Ex Machina", and "Star Wars", this graphic narrative explores his dedication to the craft and his journey to stardom. With a career spanning indie dramas to blockbuster epics, Isaac’s charisma and talent have made him a fan favorite. "FAME: Oscar Isaac" dives into his passion for storytelling, his roots in music and theater, and his ability to transform into unforgettable characters on the big screen.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】The Bad Boy of Athens Classics from the Greeks to Game of Thrones【電子書籍】[ Daniel Mendelsohn ]

＜p＞‘Mendelsohn takes the classical costumes off figures like Virgil and Sappho, Homer and Horace … He writes about things so clearly they come to feel like some of the most important things you have ever been told.’ ＜strong＞Sebastian Barry＜/strong＞＜/p＞ ＜p＞Over the past three decades, Daniel Mendelsohn’s essays and reviews have earned him a reputation as ‘our most irresistible literary critic’ (＜em＞New York Times＜/em＞). This striking new collection exemplifies the way in which Mendelsohn ? a classicist by training ? uses the classics as a lens to think about urgent contemporary debates.＜/p＞ ＜p＞There is much to surprise here. Mendelsohn invokes the automatons featured in Homer’s epics to help explain the AI films ＜em＞Ex Machina＜/em＞ and ＜em＞Her＜/em＞, and perceives how Ted Hughes sought redemption by translating a play of Euripides (the ‘bad boy of Athens’) about a wayward husband whose wife returns from the dead. There are essays on Sappho’s sexuality and the feminism of ＜em＞Game of Thrones＜/em＞; on how Virgil’s ＜em＞Aeneid＜/em＞ prefigures post-World War II history and why we are still obsessed with the Titanic; on Patrick Leigh Fermor’s final journey, Karl Ove Knausgaard’s autofiction and the plays of Tom Stoppard, Tennessee Williams, and No?l Coward. The collection ends with a poignant account of the author’s boyhood correspondence with the historical novelist Mary Renault, which inspired his ambition to become a writer.＜/p＞ ＜p＞In ＜em＞The Bad Boy of Athens＜/em＞, Mendelsohn provokes and dazzles with erudition, emotion and tart wit while his essays dance across eras, cultures and genres. This is a provocative collection which sees today’s master of popular criticism using the ancient past to reach into the very heart of modern culture.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Pier?cie? Wielkiej Damy【電子書籍】[ Cyprian Kamil Norwid ]

＜p＞＜strong＞Cyprian Kamil Norwid＜/strong＞＜/p＞ ＜p＞Polski poeta, prozaik, dramatopisarz, eseista, tworzy? tak?e prace plastyczne. Jego edukacja mia?a charakter niesystematyczny, mo?na wi?c powiedzie?, ?e we wszystkich uprawianych dziedzinach sztuki by? samoukiem. B?d?c ?arliwym mi?o?nikiem pi?kna, s?u?y? mu nie tylko jako poeta, ale tak?e jako rysownik, akwarelista, medalier i rze?biarz.＜br /＞ Zaliczany jest do grona najwi?kszych polskich romantycznych poet?w emigracyjnych: utrzymywa? nie tylko osobiste kontakty, ale r?wnie? literack? wymian? zda? z najwybitniejszymi postaciami z tego kr?gu - Z. Krasi?skim, A. Mickiewiczem, J. S?owackim, F. Chopinem.＜br /＞ Jednak?e charakter tw?rczo?ci Norwida ka?e historykom literatury ??czy? go z nurtem klasycyzmu i parnasizmu. W swojej tw?rczo?ci stworzy? i ukszta?towa? na nowo takie ?rodki stylistycznie jak: przemilczenie, przybli?enie, zamierzona wieloznaczno??, swoiste wykorzystanie aluzji, alegorii i symbolu. Teksty Norwida nasycone s? refleksj? filozoficzn?.＜br /＞ Je?li chodzi o postaw? ideow?, Norwid by? tradycjonalist?, ale zarazem wrogiem wszystkiego, co nazywano ＜em＞nieo?wieconym konserwatyzmem＜/em＞. Pocz?tkowo zwi?zany z warszawskim ?rodowiskiem literackim (m. in. z Cyganeri? Warszawsk?), wi?kszo?? swego ?ycia sp?dzi? poza krajem. Przebywa? w wielu miastach europejskich: Dre?nie, Wenecji, Florencji, Rzymie (podczas Wiosny Lud?w), Berlinie, Pary?u, a w 1853 r. uda? si? do Stan?w Zjednoczonych. Zza oceanu wr?ci? jednak na wie?? o wojnie krymskiej (p??niej jeszcze wielkie o?ywienie poety wywo?a? wybuch powstania 1863r.), by zamieszka? w Londynie, a nast?pnie ponownie w Pary?u. Tu te? zmar? w n?dzy, w przytu?ku, w Domu ?w. Kazimierza i zosta? pochowany na cmentarzu w Montmorency. ?y? nader skromnie, cierpia? z powodu nasilaj?cej si? stopniowo g?uchoty i ?lepoty, chorowa? na gru?lic?.＜br /＞ Za ?ycia zdo?a? niewiele ze swych utwor?w wyda?, by? tw?rc? niezrozumianym i niedocenianym, sta? si? ＜em＞wielkim odkryciem＜/em＞ dopiero w okresie M?odej Polski za spraw? obszernej publikacji pism poety przygotowanej przez Z. Przesmyckiego (pseud. Miriam), redaktora ＜em＞Chimery＜/em＞ w latach 1901-1907. Wielkie zas?ugi dla przywr?cenia Norwida literaturze polskiej uczyni? autor wydania krytycznego ＜em＞Pism wszystkich＜/em＞ (1971-1976) J. W. Gomulicki.＜/p＞ ＜p＞Ur.＜/p＞ ＜p＞24 wrze?nia 1821 w Laskowie-G?uchach＜/p＞ ＜p＞Zm.＜/p＞ ＜p＞23 maja 1883 w Pary?u＜/p＞ ＜p＞Najwa?niejsze dzie?a:＜/p＞ ＜p＞＜em＞Vade-mecum＜/em＞ (1858-1866), ＜em＞Promethidion. Rzecz w dw?ch dialogach z epilogiem＜/em＞ (1851), ＜em＞Bema pami?ci ?a?obny rapsod＜/em＞ (1851), ＜em＞Co? ty Atenom zrobi?, Sokratesie＜/em＞ (stycze? 1856), ＜em＞Do obywatela Johna Brown＜/em＞ (1859), ＜em＞Wanda＜/em＞ (1851), ＜em＞Krakus. Ksi??? nieznany＜/em＞ (1851), ＜em＞Czarne kwiaty＜/em＞ (1856), ＜em＞Bia?e kwiaty＜/em＞ (1856), ＜em＞Quidam. Przypowie??＜/em＞ (1855-1857), ＜em＞Cywilizacja. Legenda＜/em＞ (1861), ＜em＞Archeologia＜/em＞ (1866), ＜em＞Rzecz o wolno?ci s?owa＜/em＞ (1869), ＜em＞Pier?cie? Wielkiej Damy, czyli Ex-machina Durejko＜/em＞ (1872), ＜em＞Ad leones!＜/em＞ (1883)＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】The Architecture of Survival Setting and Politics in Apocalypse Films【電子書籍】[ Erik Trump ]

＜p＞The Architecture of Survival: Setting and Politics in Apocalypse Films offers a compelling exploration of how popular films and TV series from the past two decades use architectural spaces to comment on socio-political issues. The authors harness varied theoretical perspectives to demonstrate how, through set design, these works suggest that certain kinds of architecture support human development, community, and freedom, while other kinds separate us from our fellow humans and make democratic politics impossible. The clean lines of modernist design serve in films such as Contagion and Ex Machina as a metaphor for the sanitized, sterile politics that drive disaster. In The Walking Dead apocalypse survivors favor traditional architectural styles when rebuilding society, a choice that symbolically affirms their democratic principles. The massive walls and super-gentrification as seen in Elysium and Army of the Dead divide humanity, with those on one side wielding illegitimate power. Empty streetscapes intensify loneliness, alienation, and the destruction of civil norms. "Smart cities," offering a blend of high-tech surveillance and big data, erode social capital and community in Her and Transcendence. The book concludes with a somewhat hopeful glimpse into architecture’s potential to mitigate the catastrophic adverse effects of climate change, as seen in films like Zootopia.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Road Nick Drake, dall'Inghilterra alle stelle【電子書籍】[ Riccardo Rubis Passoni ]

＜p＞Quando si parla di Nick Drake, tutto sembra avvolto dal mistero. Della sua vita si hanno pochi dati certi e il suo boom di popolarit?, avvenuto molti anni dopo la sua morte, pare pi? l’intervento di un deus ex machina che il risultato di una campagna di marketing. Eppure Nick Drake non ? un autore astratto dal tempo; anzi, non lo ? mai stato. In questo libro si unisce la musicologia alla storia e alla ricerca sociale, approfondendo non solo la vita e la musica di Nick Drake, ma anche il suo lascito culturale e il suo successo commerciale. Vengono indagati elementi tipici degli anni Sessanta e Settanta, quali la scena musicale londinese, la sessualit? e la controcultura, ma anche la decolonizzazione, la vita nelle scuole inglesi durante gli anni Cinquanta, fino alla ricezione sociale della depressione nell’Inghilterra di Nick Drake; il tutto per scoprire come la sua vita, la societ? in cui viveva e la musica del cantautore interagissero tra di loro. Nella seconda parte del libro, invece, si studiano gli strumenti di diffusione musicale che hanno permesso al “fenomeno Drake” di farsi largo, a trent’anni dalla morte, nel music business del terzo millennio. In questa parte del libro ci si sofferma sull’evoluzione degli strumenti di produzione, i nuovi media come veicolo musicale e il difficile rapporto con il pubblico, con le frange pi? estremiste in cerca di musica “sincera” e una platea legata alle nuove generazioni, in cerca di artisti in grado di dar voce alle proprie emozioni.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Singing of Arms and Men Florence and the Balletto a Cavallo in the Seventeenth Century【電子書籍】[ Kelley Harness ]

＜p＞Equestrian ballets (＜em＞balletti a cavallo＜/em＞), although little known today, emerged as valued dramatic entertainments in early modern Europe, capable of demonstrating the wealth and magnificence of the patrons who commissioned them as well as the horsemanship and military skills of the noblemen who rode in them. Although the horse ballet did not originate in Florence, that city--and its ruling grand dukes, the Medici--acquired a reputation for excellence in the genre. Between 1608 and 1686, the court commissioned horse ballets to commemorate important state events such as Medici weddings or visits by foreign visitors. In ＜em＞Singing of Arms and Men＜/em＞, author Kelley Harness undertakes the first comprehensive study of the seventeenth-century Florentine horse ballets. She demonstrates how these works communicated messages relevant to the occasions for which they were performed, delivered by means of texts sung in styles similar to contemporary opera and punctuated by choreography and dramatic structure. Mock battles fought with swords and pistols animated audiences but also provided visible instances of conflict, which were then interrupted by the sudden arrival of a ＜em＞deus ex machina＜/em＞, who commanded the combatants to instead join forces to defeat a common enemy. The knights then demonstrated newfound cooperation through their creation of choreographed figures danced on horseback in time to music. Documentary evidence confirms that the Medici family expended significant financial and human resources on these one-time events, revealing just how much work it took to appear effortless. Ultimately, Harness shows how the ＜em＞balletto a cavallo＜/em＞ played a crucial role in Medici self-fashioning during the period, and that the 250 noblemen invited to lend their equestrian skills both confirmed their family's relationship to the Medici and were provided a venue for demonstrating critical markers of masculine nobility.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Women Who Kill Gender and Sexuality in Film and Series of the Post-Feminist Era【電子書籍】

＜p＞＜em＞Women Who Kill＜/em＞ explores several lines of inquiry: the female murderer as a figure that destabilizes order; the tension between criminal and victim; the relationship between crime and expression (or the lack thereof); and the paradox whereby a crime can be both an act of destruction and a creative assertion of agency. In doing so, the contributors assess the influence of feminist, queer and gender studies on mainstream television and cinema, notably in the genres (film noir, horror, melodrama) that have received the most critical attention from this perspective. They also analyse the politics of representation by considering these works of fiction in their contexts and addressing some of the ambiguities raised by postfeminism.＜/p＞ ＜p＞The book is structured in three parts: Neo-femmes Fatales; Action Babes and Monstrous Women. Films and series examined include ＜em＞White Men Are Cracking Up＜/em＞ (1994); ＜em＞Hit & Miss＜/em＞ (2012)＜em＞; Gone Girl＜/em＞ (2014); ＜em＞Terminator＜/em＞ (1984)＜em＞; The Walking Dead＜/em＞ (2010); ＜em＞Mad Max: Fury Road＜/em＞ (2015)＜em＞; Contagion＜/em＞ (2011)and ＜em＞Ex Machina＜/em＞ (2015) among others.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Deus Ex Machina【電子書籍】[ Jennifer Juan ]

＜p＞Love is a constant in the lives of every person that inhabits the planet we call home. It is ever evolving, and manifests in a million different ways, and in the brand new poetry collection from Jennifer Juan, Deus Ex Machina, she explores the many ways she has met, experienced and lost love, from one off dates to year long endeavours, in the search for a solution to the most unsolvable problem of all, her own heart.＜/p＞ ＜p＞Exploring the passage of time, the healing process and the how we interact with love, Deus Ex Machina is a raw and emotional look at the never ending search for a happy ending.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Esta s? tenemos que bailarla【電子書籍】[ Nando L?pez ]

＜p＞La fiesta es a?n peor de lo que esperaban, as? que tanto ＜strong＞Leyre＜/strong＞ como ＜strong＞Diana＜/strong＞ abandonan pronto el ＜strong＞reencuentro de su antigua promoci?n＜/strong＞ del instituto. Apenas se conocieron en esos a?os pero, ＜strong＞hartas de la explosi?n de nostalgia noventera＜/strong＞, ambas encuentran en la necesidad de compartir taxi una excusa para no dar por terminada la noche.＜br /＞ Sin rumbo ni intenciones fijas, acaban deambulando en busca de alg?n ＜em＞deus ex machina＜/em＞ que les permita creer que el presente no est? tan lejos del futuro id?lico que les prometieron y que, a sus cuarenta y algo, se les sigue escapando.＜br /＞ Escrita a pie de escena a partir de un taller con sus int?rpretes, ＜em＞＜strong＞Esta s? tenemos que bailarla＜/strong＞＜/em＞ de ＜strong＞Nando L?pez＜/strong＞ es una ＜strong＞obra de teatro tragic?mica y canalla＜/strong＞ en la que dos mujeres intentan huir de s? mismas durante las horas que contiene una noche. Una comedia ?cida llena de ＜strong＞ritmo＜/strong＞ ーde fondo resuena el eco de las canciones de Raffaella Carr?ー, ＜strong＞di?logos punzantes＜/strong＞ y momentos que van de lo ?ntimo a lo explosivo. Un viaje a trav?s de bares y carreteras cin?filas en el que sus dos protagonistas comparten madrugada a vueltas con sus dudas y sus ganas de vivirlo ーy beb?rseloー todo.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Film als Experiment: Demon Seed und Ex Machina zwischen Gedankenexperiment, Simulation und Laborraum【電子書籍】[ Thorsten Singer ]

＜p＞Ist die Rede von epistemischen Qualit?ten, so gelten diese gemeinhin den Fabrikationen der Wissenschaften, nicht aber solchen Erzeugnissen, die vornehmlich der Unterhaltung dienen ? wie Fiktionen im Allgemeinen und fiktionalen Filmen im Besonderen. Ausgehend von wissenschaftstheoretischen, -historischen und -soziologischen Betrachtungen experimenteller Prozesse aus den Naturwissenschaften, offenbart sich der Laborraum indes qua seiner Prozesshaftigkeit als abstrakter Bewegungsraum. Wenn letzterer aber ebenso kennzeichnend f?r den filmischen Raum ist, der stets zwischen Topographie und Topologie oszilliert, dann stellt sich die Frage, inwiefern auch fiktionale Filme als Experimente betrachtet werden und somit Wissen hervorbringen k?nnen. Diesem Ansatz folgend, untersucht Thorsten Singer, wie sich die beispielhaft gew?hlten Science-Fiction-Filme Demon Seed (Donald Cammell, USA 1977) und Ex Machina (Alex Garland, UK 2015) zwischen propositionalen, praktischen und ph?nomenalen Wissensstrukturen zum einen sowie zwischen Gedankenexperiment, Simulation und Experiment zum anderen verhalten.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Systemic Dramaturgy A Handbook for the Digital Age【電子書籍】[ Michael Mark Chemers ]

＜p＞＜strong＞Working theatrically with technology＜/strong＞＜/p＞ ＜p＞＜em＞Systemic Dramaturgy＜/em＞ offers an invigorating, practical look at the daunting cultural problems of the digital age as they relate to performance. Authors Michael Mark Chemers and Mike Sell reject the incompatibility of theatre with robots, digital media, or video games. Instead, they argue that technology is the original problem of theatre: How can we tell this story and move this audience with these tools? And if we have different tools, how can that change the stories we tell?＜/p＞ ＜p＞This volume attunes readers to “systemic dramaturgy”ーthe recursive elements of signification, innovation, and history that underlie all performanceーarguing that theatre must be understood as a system of systems, a concatenation of people, places, things, politics, feelings, and interpretations, ideally working together to entertain and edify an audience. The authors discuss in-depth the application of time-tested dramaturgical skills to extra-theatrical endeavors, including multi-platform performance, installations, and videogames. And they identify the unique interventions that dramaturgs can and must make into these art forms.＜/p＞ ＜p＞More than any other book that has been published in the field, ＜em＞Systemic Dramaturgy＜/em＞ places historical dramaturgy in conversation with technologies as old as the deus ex machina and as new as artificial intelligence. Spirited and playful in its approach, this volume collates histories, transcripts, and case studies and applies the concepts of systemic dramaturgy to works both old and avant-garde. Between chapters, Chemers and Sell talk with with some of the most forward-thinking, innovative, and creative people working in live media as they share their diverse approaches to the challenges of making performances, games, and digital media that move both heart and mind. This volume is nothing less than a guide for thinking about the future evolution of performance.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Philosophy through Film【電子書籍】[ Amy Karofsky ]

＜p＞This fifth edition of ＜em＞Philosophy through Film＜/em＞ uses recently released, well-received movies to explore answers to classic questions in philosophy in an approachable yet philosophically rigorous manner.＜/p＞ ＜p＞Author Amy Karofsky uses two films in each chapter to examine one long-standing philosophical question and assess some of the best solutions to it that have been offered. The chosen movies are not mere “add-ons” to an otherwise straightforward introductory text; instead, they are fully integrated into the discussion of the issues and the various positions. Each chapter also includes discussion questions, an annotated list of films related to the chapter topic, and two or three historically significant primary sources (which are collected together at the end of the book).＜/p＞ ＜p＞Changes to the fifth edition include:＜/p＞ ＜ul＞ ＜li＞The replacement of older movies with four new focus films: ＜em＞Anatomy of a Fall＜/em＞, ＜em＞Everything Everywhere All at Once＜/em＞, ＜em＞Get Out＜/em＞, and ＜em＞The Time Traveler’s Wife.＜/em＞＜/li＞ ＜li＞The addition of new primary readings from Roderick Chisholm, Jerry Fodor, Baron d’Holbach, and Susan Wolf.＜/li＞ ＜li＞Important new sections added to Chapter 1 on Truth (“The Identity Theory of Truth”) and Chapter 5 on Artificial Intelligence (“The ＜em＞I＜/em＞ in AI”).＜/li＞ ＜li＞A major overhaul of Chapter 6 on free will, determinism, and moral responsibility.＜/li＞ ＜li＞Updated notes throughout.＜/li＞ ＜/ul＞ ＜p＞The films examined in depth are: ＜em＞Ad Astra＜/em＞; ＜em＞Anatomy of a Fall＜/em＞; ＜em＞Arrival＜/em＞; ＜em＞Beautiful Boy＜/em＞; ＜em＞Crimes and Misdemeanors＜/em＞; ＜em＞Divergent＜/em＞; ＜em＞Equilibrium,＜/em＞ ＜em＞Everywhere Everything All at Once＜/em＞; ＜em＞Ex Machina＜/em＞; ＜em＞Get Out＜/em＞; ＜em＞Gone Baby Gone＜/em＞; ＜em＞Her＜/em＞; ＜em＞Inception＜/em＞; ＜em＞Edge of Tomorrow＜/em＞; ＜em＞The Matrix＜/em＞; ＜em＞Memento＜/em＞; ＜em＞A Serious Man＜/em＞; ＜em＞Silence＜/em＞; ＜em＞The Time Traveler’s Wife.＜/em＞＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Confessions of a Self Aware Manic Pixie Dream Girl【電子書籍】[ Jennifer Juan ]

＜p＞About The Book＜/p＞ ＜p＞Salvaged from the chaos and challenges of the UK wide lockdown, that occurred due to Covid-19, Confessions of a Self Aware Manic Pixie Dream Girl is a refreshingly frank take on the events unfolding around the world, and a human look at the struggles of loneliness, self doubt, and the journey back to hoping.＜/p＞ ＜p＞About The Author＜/p＞ ＜p＞Jennifer Juan is a writer, musician and content creator, currently residing in the Kent countryside, but dreaming of the ocean. A tornado of darkness and delicacy, Juan creates engaging and powerful projects, using a variety of mediums and platforms, each dripping with her signature playful, yet powerful style of writing.＜/p＞ ＜p＞A University Of Greenwich graduate, Juan began sharing her work on her personal website, before releasing several volumes of poetry, including the critically acclaimed “Home Wrecker,” and several musical projects, including the recent dual poetry and music release, “Deus Ex Machina.”＜/p＞ ＜p＞Juan also hosts the podcast “Sincerely, Jennifer x”, an immersive look at poetry, current events and lifestyle, along with the spoken word poetry radio show, Diverse Verse, for LGBTQUIA+ pop up radio station, Alphabet Radio, as part of the award winning Soho Radio.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Za kulisami【電子書籍】[ Cyprian Kamil Norwid ]

＜p＞＜strong＞Cyprian Kamil Norwid＜/strong＞＜/p＞ ＜p＞Polski poeta, prozaik, dramatopisarz, eseista, tworzy? tak?e prace plastyczne. Jego edukacja mia?a charakter niesystematyczny, mo?na wi?c powiedzie?, ?e we wszystkich uprawianych dziedzinach sztuki by? samoukiem. B?d?c ?arliwym mi?o?nikiem pi?kna, s?u?y? mu nie tylko jako poeta, ale tak?e jako rysownik, akwarelista, medalier i rze?biarz.＜br /＞ Zaliczany jest do grona najwi?kszych polskich romantycznych poet?w emigracyjnych: utrzymywa? nie tylko osobiste kontakty, ale r?wnie? literack? wymian? zda? z najwybitniejszymi postaciami z tego kr?gu - Z. Krasi?skim, A. Mickiewiczem, J. S?owackim, F. Chopinem.＜br /＞ Jednak?e charakter tw?rczo?ci Norwida ka?e historykom literatury ??czy? go z nurtem klasycyzmu i parnasizmu. W swojej tw?rczo?ci stworzy? i ukszta?towa? na nowo takie ?rodki stylistycznie jak: przemilczenie, przybli?enie, zamierzona wieloznaczno??, swoiste wykorzystanie aluzji, alegorii i symbolu. Teksty Norwida nasycone s? refleksj? filozoficzn?.＜br /＞ Je?li chodzi o postaw? ideow?, Norwid by? tradycjonalist?, ale zarazem wrogiem wszystkiego, co nazywano ＜em＞nieo?wieconym konserwatyzmem＜/em＞. Pocz?tkowo zwi?zany z warszawskim ?rodowiskiem literackim (m. in. z Cyganeri? Warszawsk?), wi?kszo?? swego ?ycia sp?dzi? poza krajem. Przebywa? w wielu miastach europejskich: Dre?nie, Wenecji, Florencji, Rzymie (podczas Wiosny Lud?w), Berlinie, Pary?u, a w 1853 r. uda? si? do Stan?w Zjednoczonych. Zza oceanu wr?ci? jednak na wie?? o wojnie krymskiej (p??niej jeszcze wielkie o?ywienie poety wywo?a? wybuch powstania 1863r.), by zamieszka? w Londynie, a nast?pnie ponownie w Pary?u. Tu te? zmar? w n?dzy, w przytu?ku, w Domu ?w. Kazimierza i zosta? pochowany na cmentarzu w Montmorency. ?y? nader skromnie, cierpia? z powodu nasilaj?cej si? stopniowo g?uchoty i ?lepoty, chorowa? na gru?lic?.＜br /＞ Za ?ycia zdo?a? niewiele ze swych utwor?w wyda?, by? tw?rc? niezrozumianym i niedocenianym, sta? si? ＜em＞wielkim odkryciem＜/em＞ dopiero w okresie M?odej Polski za spraw? obszernej publikacji pism poety przygotowanej przez Z. Przesmyckiego (pseud. Miriam), redaktora ＜em＞Chimery＜/em＞ w latach 1901-1907. Wielkie zas?ugi dla przywr?cenia Norwida literaturze polskiej uczyni? autor wydania krytycznego ＜em＞Pism wszystkich＜/em＞ (1971-1976) J. W. Gomulicki.＜/p＞ ＜p＞Ur.＜/p＞ ＜p＞24 wrze?nia 1821 w Laskowie-G?uchach＜/p＞ ＜p＞Zm.＜/p＞ ＜p＞23 maja 1883 w Pary?u＜/p＞ ＜p＞Najwa?niejsze dzie?a:＜/p＞ ＜p＞＜em＞Vade-mecum＜/em＞ (1858-1866), ＜em＞Promethidion. Rzecz w dw?ch dialogach z epilogiem＜/em＞ (1851), ＜em＞Bema pami?ci ?a?obny rapsod＜/em＞ (1851), ＜em＞Co? ty Atenom zrobi?, Sokratesie＜/em＞ (stycze? 1856), ＜em＞Do obywatela Johna Brown＜/em＞ (1859), ＜em＞Wanda＜/em＞ (1851), ＜em＞Krakus. Ksi??? nieznany＜/em＞ (1851), ＜em＞Czarne kwiaty＜/em＞ (1856), ＜em＞Bia?e kwiaty＜/em＞ (1856), ＜em＞Quidam. Przypowie??＜/em＞ (1855-1857), ＜em＞Cywilizacja. Legenda＜/em＞ (1861), ＜em＞Archeologia＜/em＞ (1866), ＜em＞Rzecz o wolno?ci s?owa＜/em＞ (1869), ＜em＞Pier?cie? Wielkiej Damy, czyli Ex-machina Durejko＜/em＞ (1872), ＜em＞Ad leones!＜/em＞ (1883)＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】La scoperta dell'acqua fresca【電子書籍】[ MASSIMO GIAMATTEI ]

＜p＞Nato per essere la premessa ad un saggio alla ricerca delle acque pulite in Campania, si ? trasformato in un romanzo, un diario di bordo che descrive in pochissimi giorni il processo di devastazione e di esplosione rapida del nostro pianeta. Infiniti strati superficiali di elementi impermeabilizzanti impediscono alla terra di sudare. Le polveri sottili e le piogge acide penetrano nel sottosuolo per creare lo strato impermeabile pi? resistente al mondo, questo manto insuperabile di spessore variabile ma di dimensioni pazzesche impedisce alla terra che si completi il ciclo vitale dell’acqua e crea le pi? grandi devastazioni e malattie del millennio:＜br /＞ I territori delle grandi aree metropolitane del SUD purtroppo! Il sud non visto solo sulla linea dell'Equatore, non solo come il nostro beneamato: L'impermeabilizzazione dell'area metropolitana di caracas, di buenos aires, di medellin, il texas, la luisiana, la devastazione della foresta amazzonica, rio, san paolo ecc...fanno tremare le vette della cordigliera; l'impermeabilizzazione delle "aree megametropolitane asiatiche" fa tremare le vette pi? alte al mondo. Con pochissimi interventi mirati tutti questi disastri si debellerebbero in pochi giorni e con pochissime risorse!!! La terra ondeggia come una enorme zattera sotto il mare di rugiada. ed il nostro condottiero ci indica tutte le stade di fuga dal destino pi? atroce. Un viaggio con pi? figure che sono chiamate in causa a risolvere un grande enigma: Anna (descritta come un personaggio quasi agnostico, e che con le sue non-risposte ha scatenato il tutto: lui l’ha sfidata!), Domenico, Italo, Vincenzo, Organetto, e il grande traghettatore che fa muovere tutti in uno scenario apocalittico. ? anche autobiografico perch? narra le vicende del traghettatore e della sua famiglia. Poi il “ ＜em＞deus ex machina＜/em＞”, Ulderico, il saggio e serafico che segue da lontano tutta la storia che ascolta, consola, invita a non mollare, fa domande entrando nell’ animo degli attori, e alla fine risolve il tutto con un “Regio Decreto dell’800’” che ? la via di fuga alla pazzia dell’autore e “La scoperta dell’acqua fresca”!＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Noc tysi?czna druga【電子書籍】[ Cyprian Kamil Norwid ]

＜p＞＜strong＞Cyprian Kamil Norwid＜/strong＞＜/p＞ ＜p＞Polski poeta, prozaik, dramatopisarz, eseista, tworzy? tak?e prace plastyczne. Jego edukacja mia?a charakter niesystematyczny, mo?na wi?c powiedzie?, ?e we wszystkich uprawianych dziedzinach sztuki by? samoukiem. B?d?c ?arliwym mi?o?nikiem pi?kna, s?u?y? mu nie tylko jako poeta, ale tak?e jako rysownik, akwarelista, medalier i rze?biarz.＜br /＞ Zaliczany jest do grona najwi?kszych polskich romantycznych poet?w emigracyjnych: utrzymywa? nie tylko osobiste kontakty, ale r?wnie? literack? wymian? zda? z najwybitniejszymi postaciami z tego kr?gu - Z. Krasi?skim, A. Mickiewiczem, J. S?owackim, F. Chopinem.＜br /＞ Jednak?e charakter tw?rczo?ci Norwida ka?e historykom literatury ??czy? go z nurtem klasycyzmu i parnasizmu. W swojej tw?rczo?ci stworzy? i ukszta?towa? na nowo takie ?rodki stylistycznie jak: przemilczenie, przybli?enie, zamierzona wieloznaczno??, swoiste wykorzystanie aluzji, alegorii i symbolu. Teksty Norwida nasycone s? refleksj? filozoficzn?.＜br /＞ Je?li chodzi o postaw? ideow?, Norwid by? tradycjonalist?, ale zarazem wrogiem wszystkiego, co nazywano ＜em＞nieo?wieconym konserwatyzmem＜/em＞. Pocz?tkowo zwi?zany z warszawskim ?rodowiskiem literackim (m. in. z Cyganeri? Warszawsk?), wi?kszo?? swego ?ycia sp?dzi? poza krajem. Przebywa? w wielu miastach europejskich: Dre?nie, Wenecji, Florencji, Rzymie (podczas Wiosny Lud?w), Berlinie, Pary?u, a w 1853 r. uda? si? do Stan?w Zjednoczonych. Zza oceanu wr?ci? jednak na wie?? o wojnie krymskiej (p??niej jeszcze wielkie o?ywienie poety wywo?a? wybuch powstania 1863r.), by zamieszka? w Londynie, a nast?pnie ponownie w Pary?u. Tu te? zmar? w n?dzy, w przytu?ku, w Domu ?w. Kazimierza i zosta? pochowany na cmentarzu w Montmorency. ?y? nader skromnie, cierpia? z powodu nasilaj?cej si? stopniowo g?uchoty i ?lepoty, chorowa? na gru?lic?.＜br /＞ Za ?ycia zdo?a? niewiele ze swych utwor?w wyda?, by? tw?rc? niezrozumianym i niedocenianym, sta? si? ＜em＞wielkim odkryciem＜/em＞ dopiero w okresie M?odej Polski za spraw? obszernej publikacji pism poety przygotowanej przez Z. Przesmyckiego (pseud. Miriam), redaktora ＜em＞Chimery＜/em＞ w latach 1901-1907. Wielkie zas?ugi dla przywr?cenia Norwida literaturze polskiej uczyni? autor wydania krytycznego ＜em＞Pism wszystkich＜/em＞ (1971-1976) J. W. Gomulicki.＜/p＞ ＜p＞Ur.＜/p＞ ＜p＞24 wrze?nia 1821 w Laskowie-G?uchach＜/p＞ ＜p＞Zm.＜/p＞ ＜p＞23 maja 1883 w Pary?u＜/p＞ ＜p＞Najwa?niejsze dzie?a:＜/p＞ ＜p＞＜em＞Vade-mecum＜/em＞ (1858-1866), ＜em＞Promethidion. Rzecz w dw?ch dialogach z epilogiem＜/em＞ (1851), ＜em＞Bema pami?ci ?a?obny rapsod＜/em＞ (1851), ＜em＞Co? ty Atenom zrobi?, Sokratesie＜/em＞ (stycze? 1856), ＜em＞Do obywatela Johna Brown＜/em＞ (1859), ＜em＞Wanda＜/em＞ (1851), ＜em＞Krakus. Ksi??? nieznany＜/em＞ (1851), ＜em＞Czarne kwiaty＜/em＞ (1856), ＜em＞Bia?e kwiaty＜/em＞ (1856), ＜em＞Quidam. Przypowie??＜/em＞ (1855-1857), ＜em＞Cywilizacja. Legenda＜/em＞ (1861), ＜em＞Archeologia＜/em＞ (1866), ＜em＞Rzecz o wolno?ci s?owa＜/em＞ (1869), ＜em＞Pier?cie? Wielkiej Damy, czyli Ex-machina Durejko＜/em＞ (1872), ＜em＞Ad leones!＜/em＞ (1883)＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Algorithmen des Theaters Ein Arbeitsbuch【電子書籍】[ Ulf Otto (Hg.) ]

＜p＞Von Robotern auf der B?hne, Computerspielen im Theater und Zuschauern im Netz Algorithmen werden angesichts steigender Datenmengen und k?nstlicher Intelligenzen auch au?erhalb der Computer zunehmend sinnstiftend. Was das fu?r das Theater hei?t, erl?utert der vorliegende Band, der sich freien Theaterproduktionen der letzten Jahre widmet, die mit Algorithmen, Computerspielen und sozialen Netzwerken in Theaterr?umen experimentieren. Anhand ausgew?hlter Arbeiten von Turbo Pascal, machina eX, Interrobang, Rimini Protokoll u. a. wird die Schnittstelle von Technik und ?sthetik in den Blick genommen und weitergedacht. "Die Frage nach der Technik ist auch immer eine politische Frage, die, abgesehen von Implikationen in Hinblick auf ?race?, class, gender &c., unser Verh?ltnis zur Welt ma?geblich mitbestimmt." Ulf Otto＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

【電子書籍なら、スマホ・パソコンの無料アプリで今すぐ読める！】Annihilation【電子書籍】[ Alex Garland ]

＜p＞Following on from the success of his thriller, ＜em＞Ex Machina,＜/em＞ Alex Garland returns to cerebral sci-fi with his adaptation of Jeff VanderMeer's cult novel -＜br /＞ a tale of a biologist attempting to uncover the mystery of her husband's disappearance into a restricted zone.＜br /＞ What she and her fellow scientists discover is a world populated by mysterious life forms that might offer answers, but which exposes them to madness and death.＜br /＞ Beside the screenplay, the book also includes 20 pages of behind-the-scenes photos.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。